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THE SYMPHONIES OF THE WOODS (2024) 绘画 由 Lüve
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原创艺术品 (One Of A Kind)
绘画,
油
在木上
- 外形尺寸 高度 23.6in, 宽度 19.7in
- 艺术品状况 艺术品完好无损
- 是否含画框 此作品未装裱
- 分类 画作 低于US$5,000 象征主义 丰富多彩的
Abundance is a project that delves into the profound interconnectedness between humanity and nature, exploring the concept of abundance as a state of harmony rather than dominance. Through abstract landscapes and fluid compositions, the project critiques the modern view of nature as a resource to be exploited, instead presenting it as an essential partner in our existence. The work invites the viewer to reflect on the richness of life that comes from balance, moderation, and mental serenity, emphasizing that true abundance lies not in possession, but in the mutual flourishing of all beings.
In Abundance, the human form is intentionally abstracted or less defined, allowing the viewer to focus not on individual identity, but on the collective experience and the shared life force that connects all things. This project challenges the prevailing narrative of scarcity and domination, proposing a more harmonious way of existing within the natural world.
Lüve's artistic practice operates within a philosophical framework that seeks to reimagine the relationship between Humanity and the natural world, positing that our disconnection from nature is a result of modern thought. The foundational premise of Lüve's work is an exploration of balance and harmony, where existence is viewed through the prism of moderation and mental tranquility. This contrasts sharply with the paradigms established by contemporary scientific narratives, which have often framed nature through an instrumental and productivist lens, reducing it to an adversarial "other" to be controlled and dominated.
In Lüve's paintings, there is a challenge to dismantl this dualism, offering a visual space where human existence and the natural world coexist symbiotically. Lüve's works are not mere depictions but meditations on the essence of life beyond the human-non-human divide, revealing a shared, intrinsic unity that transcends the artificial boundaries of subject and object. T
The abstraction of human features in Lüve's paintings serves as a critique of modernity’s fixation on identity and individualism. In an era where the self is often mediated by societal norms and external ideals, the human subject becomes an abstraction of itself—a universal mask that erases the true nature of individuality. Through the absence of recognizable human traits, Lüve points toward a shared existential condition: the notion that our identities, while appearing distinct, dissolve into a collective experience of aspiration, fear, and desire.
