Aphrodite (2011) Pintura por Lujan

No está en venta

Vendido por Artmajeur

Trabajo único
Obra de arte firmada por el artista
Certificado de autenticidad incluido
Esta obra se enmarca
Montado en Cartulina
  • Obra de arte original (One Of A Kind) Pintura, Pintura Digital en Cartulina
  • Dimensiones 26,4x40,2 in
    Dimensiones del trabajo solo, sin marco: Altura 25,6in, Anchura 39,4in
  • Estado de la obra de arte La obra de arte está en perfectas condiciones
  • Enmarcado Esta obra se enmarca
  • Categorías Pinturas menos de 1.000 US$ Figurativo
We are always in contemplation; both with ourselves, and other’s to debate the form and function of what to think about art. People work hard to visually obtain references, which can personalize the elements of their own ideas. Artistic interaction often usurps our preconceived idealisms by expanding the relationship with people, places, and thoughts[...]
We are always in contemplation; both with ourselves, and other’s to debate the form and function of what to think about art. People work hard to visually obtain references, which can personalize the elements of their own ideas. Artistic interaction often usurps our preconceived idealisms by expanding the relationship with people, places, and thoughts outside of the conventional box and impinges upon one’s ambivalence. This subjective reality becomes the center stage that the classical man may look to reject in order to control outwardly but internally dreams of this mental freedom. In, Lujan’s digital constructions, partial elements of his subject are often commingled with textures from a host of both man-made and natural objects. This methodology becomes a cohesive unit between subject and object idolizing an aesthetic synthetic dance with alternating informational references.

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We are always in contemplation; both with ourselves, and other’s to debate the form and function of what to think about art. People work hard to visually obtain references, which can personalize the elements[...]

We are always in contemplation; both with ourselves, and other’s to debate the form and function of what to think about art. People work hard to visually obtain references, which can personalize the elements of their own ideas. Artistic interaction often usurps our preconceived idealisms by expanding the relationship with people, places, and thoughts outside of the conventional box and impinges upon one’s ambivalence. This subjective reality becomes the center stage that the classical man may look to reject in order to control outwardly but internally dreams of this mental freedom. In, Lujan’s digital constructions, partial elements of his subject are often commingled with textures from a host of both man-made and natural objects. This methodology becomes a cohesive unit between subject and object idolizing an aesthetic synthetic dance with alternating informational references.

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