Chanel's Floral Symphony II (2025) Digitale Kunst door Lea Ottavi

It all started with a gift. A box wrapped in bright paper, handed to me on my birthday. I tore it open and there it was—a graphic tablet. At first, I wasn’t sure what to do with it. I’d always loved art, but I was used to brushes, pencils, and messy hands covered in paint. This was different. Smooth. Clean. Almost intimidating.

That night, I plugged it in, and the screen lit up. The blank canvas stared back at me, waiting. I picked up the pen and made my first stroke—a shaky, uneven line that didn’t look like much. But something about it felt exciting. It was as if a whole new world had opened up, one where the colors were endless, where mistakes could vanish with a tap, and where I could experiment without fear.

Soon, I couldn’t put it down. I’d lose hours blending neon blues into fiery oranges, creating swirls of colors I’d never been able to achieve with paint. The tablet became an extension of me, a tool that brought my imagination to life. I started seeing everything differently—sunsets became gradients, shadows turned into textures, and even a cup of coffee on my desk looked like a potential masterpiece.

What I loved most was the freedom. No limits, no rules. I could mix styles, play with light, and create things that felt like they belonged to another dimension. The smooth flow of the pen on the tablet felt natural, like it had always been meant for me. It didn’t matter if the world outside was chaotic or dull—on my screen, it was alive with energy and color.

That tablet changed how I see art. It showed me that creativity doesn’t have to stay in one place—it can evolve, adapt, and grow in ways I never imagined. It’s not just a tool; it’s a doorway to infinite possibilities. And every day, I’m grateful I opened that gift.

• Nationaliteit: POLEN
• Geboortedatum : 1988
• Artistieke domeinen:
• Groepen: Hedendaagse Poolse Kunstenaars