Lease 회화 by Valentin Savtcheko

구매 옵션을 사용하여 Valentin Savtcheko 의 ’ Last Seven Dreams Of Christ N4 ’ 작품 임대

Valentin Savtcheko 의 회화 은 구매 옵션으로 임대 가능합니다.

제목이 "Last seven dreams o…"인 미술작품 Valentin Savtcheko로, 원작, 기름 나무 들것 프레임에 장착됨
Last seven dreams of Christ N4 (2004)
미술작품 Valentin Savtcheko 로 - 35x45.7 in
US$3,853.82

월별 지불액을 선택하세요:

월별 결제
€318+부가가치세
잔존 가치
€103.76+부가가치세
세금 절감
€1,178.19+부가가치세
총 비용
€3,060+부가가치세
월별 결제
€185.49+부가가치세
잔존 가치
€103.76+부가가치세
세금 절감
€1,268.82+부가가치세
총 비용
€3,287+부가가치세
월별 결제
€128.53+부가가치세
잔존 가치
€103.76+부가가치세
세금 절감
€1,318.7+부가가치세
총 비용
€3,412+부가가치세
월별 결제
€102.77+부가가치세
잔존 가치
€103.76+부가가치세
세금 절감
€1,405.91+부가가치세
총 비용
€3,631+부가가치세
* 이는 단지 예시적인 시뮬레이션일 뿐입니다. 귀하의 지원 서류를 검토하고 당사 금융 파트너가 귀하의 파일을 확인한 후 계약 제안서를 귀하에게 보내드립니다.

임대정보요청 "Last Seven Dreams Of Christ N4"

저희에게 연락하세요., 금융 전문가가 24시간 이내에 연락을 드릴 것입니다.:

자주 묻는 질문

What are the advantages of leasing works of art?

  • Financial Flexibility: You can enjoy exceptional, high-value works of art without a large initial investment.
  • Tax Benefits: Receive potential tax benefits as rents can be deducted as a business expense.

How are the prices of monthly payments for leasing works of art set?

  • The costs depend on the value of the work, the duration of the leasing contract, and any services included such as installation.

Can we buy the work after the leasing period?

  • Yes, on Artmajeur leasing contracts offer a purchase option at the end of the contract, allowing customers to acquire the work at a determined price (residual value).

How are the safety and insurance of works managed?

  • Insurance during the duration of the rental contract is the responsibility of the customer. It is therefore important to check the details of your insurance contract to be sure that your leased works are covered in the event of damage.

What are the conditions for terminating the leasing contract before its end?

  • Unless there are specific conditions, leasing contracts for works of art commit the client to payment of the entire price of the work; payments are therefore due until the end of the lease.

상세 정보

Last seven dreams of Christ N4 (2004)
미술작품 Valentin Savtcheko 로 - 35x45.7 in
제목이 "Last seven dreams o…"인 미술작품 Valentin Savtcheko로, 원작, 기름 나무 들것 프레임에 장착됨

작가에 관하여

팔로우
SENS-ART Spatial screens of Savtcheko. We live in the world of spatial screens. The first screen is a mirror which gives us an idea of who we are and forms a notion of image. This art is like[...]

SENS-ART
Spatial screens of Savtcheko.
We live in the world of spatial screens.
The first screen is a mirror which gives us an idea of who we are and forms a notion of image. This art is like a spatial screen in its best manifestation. It is full of symbols that allow to implement the protection and introjection. In other words, the artist’s pictures projected on the platitude create an idea of environment space and allow to realize the world around and to understand the human nature.
The movement SENS-ART was founded in 1983 in Leningrad by Russian and French artist Valentin Savtcheko. Developing the idea of « Russian cosmisme » of the end of 19-20 centuries , he has created his own conception of space, his global vision of the world. If for Nicolai Fiodorov, the founder of «Russian cosmisme», this was the harmony of the worlds with their resurrected fathers, for the author of (« Black square ») and the founder of « suprematisme » movement Kazemir Malevich it is planetary vision itself, for Savtcheko, the combination of the global idea about the Universe and a symbol which can be recognized and which is created by the mankind as a sign of existence is important. Being educated on the ideas of Kandinski, Malevich and Filonov, Savtcheko thinks that consideration of images as minimalist initial structure of pure geometry is a totalitarian gesture. Though within previous centuries the development of the artistic style of Savtcheko from the « new wild » pure picturesque paintings to abstract compositions with collage and assemblage elements was occurred, his works are still characterized by a specific manner of narration, usual for symbolism in art. The pictures of Savtcheko are inhabited by personages in his virtual spatial world. Savtcheko tells, for instance, the same story as an unknown Russian icon artist or a painter of Renaissance Luka Siniorelli in his paintings « After Revelation ». But presentiment of « After Revelation » is made by the man living in the crossing of 20-21 centuries. Using an old technology of oil painting including the collage, Savtcheko creates the impression of virtual space, space of computer which is designed by digital technologies.
To be in the space of Savtcheko paintings means to be in virtual icons which are full of traditional symbols, mass product of the updated technology (elements of optical fibre) and abstract geometric compositions of the third dimension. The Savtcheko paintings are symbolic screens which return the diversity of new virtual world with the help to traditional technology.

Olesya Turkina
Art Critic
Russian Museum - St Petersburg

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