Façades au bord du soir (2024) Photography by Joseph Durocher

Seller Joseph Durocher

Artwork signed by the artist
Certificate of Authenticity included
Les violets se fondent aux ardoises comme le ciel juste avant la nuit. Protégées par le tronc silencieux d’un vieil arbre, ces maisons se tiennent serrées, comme des vers d’un poème gravé dans la pierre et le bois. Twilight Facades: Shades of violet and slate blend into one another like the sky before nightfall. Framed by the quiet strength of a tree, [...]
Les violets se fondent aux ardoises comme le ciel juste avant la nuit. Protégées par le tronc silencieux d’un vieil arbre, ces maisons se tiennent serrées, comme des vers d’un poème gravé dans la pierre et le bois.
Twilight Facades: Shades of violet and slate blend into one another like the sky before nightfall. Framed by the quiet strength of a tree, these houses stand close—like verses in a poem written in wood and stone.

Édition limitée à 25 exemplaires. Oeuvre numérotée et signée par l'auteur.
Impression sur papier de qualité archivale.
On joint un certificat d'authenticité, signé par l'artiste.

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Since the age of thirteen, I have wandered the streets with a camera in hand, drawn to façades, textures, and the quiet traces of time — to all that architecture reveals about those who built and lived within [...]

Since the age of thirteen, I have wandered the streets with a camera in hand, drawn to façades, textures, and the quiet traces of time — to all that architecture reveals about those who built and lived within it. My artistic practice stems from a deep desire: to bear witness to our cultural responsibility toward spaces we often believe to be eternal, yet which so often vanish without a sound.

My photographic work focuses on architectural heritage — whether beautifully preserved or gently fading. I explore historic neighborhoods in Montréal and elsewhere, seeking out places where time lingers in the details. Through each image, I aim to reveal the quiet dignity of modest structures, the poetry of forgotten craftsmanship, the memory held in a cornice, a balcony, or a weathered wall.

Each photograph is a gesture of preservation, an act of recognition toward forms of beauty made invisible by routine. I work with both film and digital photography, depending on what the subject calls for. Grain, light, and composition all converge to form images where documentary precision meets a carefully nurtured artistic voice.

I hope my photographs invite viewers to slow down — to engage in a silent dialogue with the built world. That they awaken memories, spark reverie, or simply renew one’s attention to what surrounds us.

Ultimately, I photograph so that we might remember — and so that we might learn to see differently

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