Question de génération (2022) Collages by Jean-Roch Klethi

Collages, 31.5x31.5 in
$1,132.86
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En préparant mes textiles, je m'interrogeais sur la signification de cette pratique étrange consistant à détisser de la toile de jute avant de la fixer sur son support et la mettre en couleur. Pendant que je m'activais, me revenaient obstinément en tête les mots du discours d'Albert Camus à l'occasion de son prix Nobel à Oslo, au sujet du rôle de l'écrivain. [...]
En préparant mes textiles, je m'interrogeais sur la signification de cette pratique étrange consistant à détisser de la toile de jute avant de la fixer sur son support et la mettre en couleur. Pendant que je m'activais, me revenaient obstinément en tête les mots du discours d'Albert Camus à l'occasion de son prix Nobel à Oslo, au sujet du rôle de l'écrivain. Son propos s'avère de pleine actualité 65 ans plus tard... Et je lui trouvais des résonnances avec l'activité que j'étais en train de réaliser : défaire pour faire, faire en défaisant... Les titres des pièces de la série dont est tirée cette toile font tous référence à ce discours.

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His artistic journey began over 40 years ago, with a first exhibition at the age of 19. Seeking to build a language that was personal to him, he chose very early on to abandon the "brushstroke" and brush for other [...]

His artistic journey began over 40 years ago, with a first exhibition at the age of 19. Seeking to build a language that was personal to him, he chose very early on to abandon the "brushstroke" and brush for other techniques: sponge printing, stencils, misting, liquid color projections. He sought to capture pure sensation, playing on textures, transparencies and color vibrations.

By integrating materials such as sawdust, cardboard and especially partially unwoven textiles, he opened up a graphic world where fibers trace their own lines and patterns. No need to hold a pencil or a brush. Little by little, the symbolic charge of these materials imposed itself on him, so much so that his works echoed the state of the world, expressing rupture and continuity, tearing and repair, connection and disconnection.

This approach was also enriched by a personal resonance. Having studied the urban and social history of a textile valley in his youth, he later perceived the link between his art and his experience of this industrial and social heritage. Made partly with recovered materials, his works are part of a shared memory, where the material bears witness to stories of transformation, fragility and resilience.

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