Lease 絵画 by Любовь Самойлова

作品「 Yellow Maple Leaf 」 Любовь Самойловаが購入オプション付きでリースします

Любовь Самойловаの絵画は購入オプション付きでリース可能です

「Yellow maple leaf」というタイトルの絵画 Любовь Самойловаによって, オリジナルのアートワーク, オイル
Yellow maple leaf (2021)
絵画 Любовь Самойлова によって - 7.9x11.8 in
$126.12

月々のお支払いを選択してください:

月々のお支払い
€10.47+付加価値税
残余価値
€3.52+付加価値税
節税
€38.76+付加価値税
総費用
€101+付加価値税
月々のお支払い
€6.11+付加価値税
残余価値
€3.52+付加価値税
節税
€41.9+付加価値税
総費用
€108+付加価値税
月々のお支払い
€4.23+付加価値税
残余価値
€3.52+付加価値税
節税
€43.32+付加価値税
総費用
€112+付加価値税
月々のお支払い
€3.38+付加価値税
残余価値
€3.52+付加価値税
節税
€46.17+付加価値税
総費用
€120+付加価値税
* これは単なる示唆的なシミュレーションです。契約上の提案は、お客様の裏付け書類を検討し、当社の財務パートナーによるファイルの検証後にお客様に送信されます。

リースに関する資料請求 "Yellow Maple Leaf"

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よくある質問

What are the advantages of leasing works of art?

  • Financial Flexibility: You can enjoy exceptional, high-value works of art without a large initial investment.
  • Tax Benefits: Receive potential tax benefits as rents can be deducted as a business expense.

How are the prices of monthly payments for leasing works of art set?

  • The costs depend on the value of the work, the duration of the leasing contract, and any services included such as installation.

Can we buy the work after the leasing period?

  • Yes, on Artmajeur leasing contracts offer a purchase option at the end of the contract, allowing customers to acquire the work at a determined price (residual value).

How are the safety and insurance of works managed?

  • Insurance during the duration of the rental contract is the responsibility of the customer. It is therefore important to check the details of your insurance contract to be sure that your leased works are covered in the event of damage.

What are the conditions for terminating the leasing contract before its end?

  • Unless there are specific conditions, leasing contracts for works of art commit the client to payment of the entire price of the work; payments are therefore due until the end of the lease.

詳細情報

Yellow maple leaf (2021)
絵画 Любовь Самойлова によって - 7.9x11.8 in
「Yellow maple leaf」というタイトルの絵画 Любовь Самойловаによって, オリジナルのアートワーク, オイル

著者について

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My love of art was formed at an early age. My father amassed a good collection of art cards and albums. From the age of 5 I was introduced to artists such as Degas, Rembrandt, Renoir, Levitan and many others. My[...]

My love of art was formed at an early age. My father amassed a good collection of art cards and albums. From the age of 5 I was introduced to artists such as Degas, Rembrandt, Renoir, Levitan and many others.

My family was convinced that I had an aptitude for the exact sciences (it was in fact true), so I did not develop my artistic inclinations.

After school I entered a technical college. At the institute, as an elective in descriptive geometry we were taught the basics of drawing and composition. These seminars were conducted by a talented Chelyabinsk architect.

These seminars fascinated me, I learned how to convey the volume of simple objects.

I went to the Chelyabinsk Art School at a mature age, on a paid course for adults.

I started oil painting not long ago, when I retired.  I had the time to do something that has fascinated me since I was a child. But I didn't have the opportunity.

Oil painting has opened up new horizons for me. And now I paint occasionally in acrylics and pastels. Pastel is my second favorite medium after oil.

There are many styles in painting, but I have two that I can't choose between. And I do not want to.

I love the nature of our Ural. But the sea and mountains also attract me. Recently I started painting seascapes. But not too realistically, I fantasize a bit.

Before the pandemic, I travelled not only to Russia but also to other countries.  Every impression, every memory, at least in a small piece, is fused into my paintings.

I love Impressionism and Realism. I often don't know which to prefer.  That's why my paintings don't follow one style clearly. Sometimes I start painting in a strictly realistic manner, but then suddenly I have a dab hand in my hand and I forget about realism.

However, most of my landscapes are impressionistic and my still life paintings are realistic. I don't know why this happens.  I think my intuition knows better where to lead me in painting.

In September 2021 my personal exhibition "Mosaic of Impressions" was held in the showroom of Chelyabinsk Regional Court Museum.  

Before that I placed the works on the Russian and foreign Internet resources, including English online gallery ARTFINDER.        

Some of my paintings are in private collections in Russia, the United States, Britain and Israel.         

 

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