Garden View 48 (2018) Arte digitale da Kenneth Grzesik

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  • Opera d'arte originale Arte digitale, Lavoro digitale 2D / Pittura digitale / Fotomontaggio
  • Dimensioni Le dimensioni sono disponibili su richiesta
  • Categorie Astratta
The making of the Art Eco Deco series if digital imagery was a visual construction project. The process took several weeks. During that time the basic idea was manipulated in ways that generated original visual art. Evolutionary by design each image was developed conceptually. Visual ideas were thought of as part of a growing pool of visual ideas.[...]
The making of the Art Eco Deco series if digital imagery was a visual construction project. The process took several weeks. During that time the basic idea was manipulated in ways that generated original visual art. Evolutionary by design each image was developed conceptually. Visual ideas were thought of as part of a growing pool of visual ideas. The images can be thought of a satellites orbiting around a central concept. The geometric shapes came to represent technology while the floral elements represent nature. The combination mirrors a view of contemporary existence that envisions a balancing act between nature and technology that presents a hope of peaceful co-existence. Where there is life there is always hope.

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Digital AbstractSeriesKaleidoscopicGeometrySpring Flowers

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Degrees: B.F.A., Northern Illinois University, DeKalb, 1974 M.A., Northern Illinois University, DeKalb, 1977 C.C. Photoshop/Illustrator, Lake Washington Technical College, 2008, President's[...]

Degrees:
B.F.A., Northern Illinois University, DeKalb, 1974
M.A., Northern Illinois University, DeKalb, 1977
C.C. Photoshop/Illustrator, Lake Washington Technical College, 2008, President's List for Academic Achievement

My imagery is built around a concept. After a central idea is established I explore possibilities within a set of creative and aesthetic parameters. From my perspective visual art is idea, expression, experience and process fused to create a perceptual synergy.
Nature has always played an important role in my art. In the late seventies and early eighties it was the focal point of several commissioned installations in Seattle and Chicago. During the next two decades or so landscape painting and drawing were my primary areas of interest. The work was exhibited in minor venues in Washington and Hawaii.
It was in 2005 when I bought my first computer and digital camera. The initial attraction was the speed that imagery could be produced. It was exciting to work at the speed of idea where the time span between concept and image was short. What followed has been a nonstop process of photography and editing. Presented here is an assortment of images that are a visual record of that activity.

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