Garden View 38 (2020) Arte digitale da Kenneth Grzesik

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Quest'opera d'arte appare in 26 collezioni
  • Opera d'arte originale Arte digitale, Lavoro digitale 2D / Pittura digitale / Fotomontaggio
  • Dimensioni Le dimensioni sono disponibili su richiesta
  • Categorie Astratta
Decorative elements found throughout art history have been combined in various ways to generate aesthetic experiences. In Garden View 38 layers of organic and geometric elements are visually interfaced with that in mind. There is an underlying idea that the digital print represents an imaginary view of looking through a lens having unique optical[...]
Decorative elements found throughout art history have been combined in various ways to generate aesthetic experiences. In Garden View 38 layers of organic and geometric elements are visually interfaced with that in mind. There is an underlying idea that the digital print represents an imaginary view of looking through a lens having unique optical qualities. Progression of the images in the series is evolutionary in design. Ideas are developed by exploring a process of digital manipulation and real life examination of the natural world.

Temi correlati

Digital AbstractSeriesFloral PatternCirclesSpring Flowers

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Degrees: B.F.A., Northern Illinois University, DeKalb, 1974 M.A., Northern Illinois University, DeKalb, 1977 C.C. Photoshop/Illustrator, Lake Washington Technical College, 2008, President's[...]

Degrees:
B.F.A., Northern Illinois University, DeKalb, 1974
M.A., Northern Illinois University, DeKalb, 1977
C.C. Photoshop/Illustrator, Lake Washington Technical College, 2008, President's List for Academic Achievement

My imagery is built around a concept. After a central idea is established I explore possibilities within a set of creative and aesthetic parameters. From my perspective visual art is idea, expression, experience and process fused to create a perceptual synergy.
Nature has always played an important role in my art. In the late seventies and early eighties it was the focal point of several commissioned installations in Seattle and Chicago. During the next two decades or so landscape painting and drawing were my primary areas of interest. The work was exhibited in minor venues in Washington and Hawaii.
It was in 2005 when I bought my first computer and digital camera. The initial attraction was the speed that imagery could be produced. It was exciting to work at the speed of idea where the time span between concept and image was short. What followed has been a nonstop process of photography and editing. Presented here is an assortment of images that are a visual record of that activity.

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