The Sorcerer's Apprentice (2008) Pittura da Richard Whincop

Non in vendita

Venduto da Richard Whincop

Siamo spiacenti, il file immagine che abbiamo per questa opera d'arte è troppo piccolo.
Contattaci con tutti i dettagli del tuo progetto e troveremo una soluzione con te.
Contattaci

Licenza digitale

Quest'immagine è disponibile per lo scaricamento con una licenza.

32,39 USD
128,32 USD
267,84 USD
Risoluzione massima: 326 x 640 px
Scarica subito dopo l'acquisto
Gli artisti vengono pagati i diritti d'autore per ogni vendita

Venduto da Richard Whincop

Certificato di autenticità incluso
Quest'opera d'arte appare in 3 collezioni
  • Opera d'arte originale Pittura, Olio
  • Dimensioni Altezza 47,6in, Larghezza 23in
  • Categorie Quadri sotto i 5.000 USD Classicismo
Many artists since the time of Michelangelo have felt overawed by his seemingly superhuman achievements, while many art academies and schools of art held up his work as the ultimate example to follow. The Victoria and Albert Museum’s gallery of plaster casts provided a collection of copies of sculptural masterpieces that artists could copy. It includes[...]
Many artists since the time of Michelangelo have felt overawed by his seemingly superhuman achievements, while many art academies and schools of art held up his work as the ultimate example to follow. The Victoria and Albert Museum’s gallery of plaster casts provided a collection of copies of sculptural masterpieces that artists could copy. It includes several casts of Michelangelo’s work, including the David (1501-1504) and Dying Captive (1513) seen here.

Temi correlati

An Artist Studying Two Of Michelangelo's Sculptures In The Victoria And Albert Museum

Tradotto automaticamente
Seguire
A self-taught artist, Richard was born in 1964 at Fordingbridge in Hampshire, and graduated in Art History at York University in 1986. In 1988 he moved to Glasgow, where he executed a series of major commissions[...]

A self-taught artist, Richard was born in 1964 at Fordingbridge in Hampshire, and graduated in Art History at York University in 1986. In 1988 he moved to Glasgow, where he executed a series of major commissions in the city and became established as a figurative artist with a series of successful solo shows. He moved to Lavant in West Sussex in 2010, and exhibits at galleries and art fairs throughout the UK and Ireland.

Richard's 2010 show Museum Pieces in Glasgow’s renowned Kelvingrove Museum was the culmination of a major series of works in the form of a dialogue between our contemporary world and the past, combining elements from works of art of bygone eras with present-day figures, man-made objects, animals and even landscapes. There can be links or contrasts (sometimes humorous) between these different elements; sometimes different eras can seem to merge in a dreamlike synthesis that transcends time and place. The paintings are like mysterious riddles, with no obvious or final answer, the interpretation left to the viewer’s imagination- and always inviting a new solution.

In 2011 Richard's Edinburgh solo show, ironically titled “Useless Fictions”, focused on great scientists of the past such as Newton, Galileo and Darwin, and combined religious imagery and elements from the natural world. In the same year Richard also completed a major commission for St. Bride's Church in Bothwell, Scotland – six large canvases which set Jesus’ Baptism in the context of local history, and incorporating miners and mill workers as well as Bothwell Castle.

Richard is currently preparing for a major commission of figurative work for the town of Cosenza in Southern Italy.

Vedere più a proposito di Richard Whincop

Visualizzare tutte le opere
Olio | 58,7x35,4 in
Non in vendita
Olio | 32,3x43,3 in
Non in vendita
Olio | 44,5x44,5 in
Non in vendita
Olio | 50,8x50,8 in
Non in vendita

Artmajeur

Ricevi la nostra newsletter per appassionati d'arte e collezionisti