Leasing dell’opera “ There Is A Crack That Lets The Light In ” di Peter Lattey con opzione di acquisto
Le Sculture di Peter Lattey sono disponibili per il noleggio con opzione di acquisto
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Domande frequenti
What are the advantages of leasing works of art?
- Financial Flexibility: You can enjoy exceptional, high-value works of art without a large initial investment.
- Tax Benefits: Receive potential tax benefits as rents can be deducted as a business expense.
How are the prices of monthly payments for leasing works of art set?
- The costs depend on the value of the work, the duration of the leasing contract, and any services included such as installation.
Can we buy the work after the leasing period?
- Yes, on Artmajeur leasing contracts offer a purchase option at the end of the contract, allowing customers to acquire the work at a determined price (residual value).
How are the safety and insurance of works managed?
- Insurance during the duration of the rental contract is the responsibility of the customer. It is therefore important to check the details of your insurance contract to be sure that your leased works are covered in the event of damage.
What are the conditions for terminating the leasing contract before its end?
- Unless there are specific conditions, leasing contracts for works of art commit the client to payment of the entire price of the work; payments are therefore due until the end of the lease.
Riguardo l'autore
Peter Lattey grew up in a Vernon BC, Canada surrounded by mountains, pine trees, sagebrush and beautiful lakes. He spent his youth in the mountains and lakes there and developed a love for wood and natural forms at an early age. He studied Art and Architecture at the University of British Columbia from 1965 to 1975. He has traveled extensively in Europe and spent three months studying in Venice, Italy, where he was inspired at many of the major museums
In the early 70’s, he lived for two years in Papua New Guinea, where the “primitive” art and carvings had a great influence on him. In the 1990’s he lived in the rain forest of Vancouver Island, surrounded by giant cedars, Douglas fir, alder and hemlock trees and of course with totem poles. He moved to Los Angeles in 1999 and returned to BC in 2014. He draws inspiration from his surroundings as well as from his life in Papua New Guinea, Vancouver Island and Europe.
His earlier work was more abstract and could best be described as Jazz music carved into wood. The forms and shapes flow sensuously with one surface flows into another, not always in an expected way, giving a delight to the eye and a feeling to the soul.
In his recent work he explores the human face as it expresses a variety of characteristics. His “masks” convey different emotions and expressions. People connect with the faces in different ways depending on how a particular face connects with that individual. The mystery of that emotional or intellectual connection is what Peter strives to achieve.
He has lived for the past 20 years in Southern California and Vancouver, Canada
EXHIBITIONS
White’s Gallery, Montrose, CA, USA June 2002
Design In Wood San Diego June 2003 Three Honorable Mentions
Americana, Decorative Arts Guild, Burbank Municipal Gallery November 2003
Santa Monica Festival May 2005
Ishikawa International Salon, Kanazawa, Japan April 2010
Parents Show, Parking Spot Gallery, Vancouver Canada May 2017
Deer Lake Gallery, Burnaby Canada August 2017
The Naam Restaurant and Gallery, Vancouver Canada February 2018
Art in LA Affair, AC Gallery, Hollywood CA August 2018
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Nazionalità:
CANADA
- Data di nascita : 1945
- Domini artistici:
- Gruppi: Artisti Canadesi Contemporanei
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