Forest (2007) Pittura da Jesus Tejedor

Venduto da Jesus Tejedor

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Series of 10 units Mixed media on 250grs paper, 95 X 197 cms, engraving, ink, collages. The author prefers to let himself be carried away by simple sensations in his encounter with nature, he reconstructs them from memory and his goal is that through the work, and each and every time he contemplates it, he can relive those sensations in[...]
Series of 10 units
Mixed media on 250grs paper, 95 X 197 cms, engraving, ink, collages.
The author prefers to let himself be carried away by simple sensations in his encounter with nature, he reconstructs them from memory and his goal is that through the work, and each and every time he contemplates it, he can relive those sensations in himself. Almost in communion with the principles and creative methods of the English romantic poet William Worthsworth, he confesses that he only intends to transmit those small moments that provoked him to bring them to his work, to the point where they both agree: "I am particularly interested in the memory of sensations. I take pleasure in the sounds, the perfume, the careless drop that falls on the paper". He is more interested in the expression of a mental process than in the physical character of his work, forcing himself to be as receptive as possible, to let himself be amazed, to live experiences.
Bosque was born out of a desire to share the sensation he experienced when he entered the hidden, surprising and mysterious part of any forest. This intrusion makes him uneasy and awakens ancestral fears, at the same time as it attracts him with a sensual and magical call.
At the same time the idea of the forest is a vindication of the commitment to the protection of the environment, "among other things," he says, "because I believe that we should enhance what we are in fact rather than mistreat ourselves," and we are nature.
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La vida es un experimento y la experimentación es constante durante el proceso creativo. Mi posición respecto al arte me sitúa entre dos aguas con corrientes opuestas y constato que una es reflejo de[...]

La vida es un experimento y la experimentación es constante durante el proceso creativo.

Mi posición respecto al arte me sitúa entre dos aguas con corrientes opuestas y constato que una es reflejo de la otra: aparentemente fuera del abanico del arte comprometido (si existe realmente) el compromiso no es con una idea o ideario mas bien con una actitud y una elección del modo de vivir.

Parto de una intuición, una idea primigenia (la lectura de una publicación) esbozada en unas lineas que me sugieren un ritmo, una frecuencia, una intensidad, una temperatura... la base de la obra, desde ese momento intento que sea el propio cuadro el que me vaya dictando lo que necesita, a veces un simple círculo, una textura o una fina linea que interacciona como en una conversación, durante la elaboración me voy documentando con un cierto rigor en el proceso. Soy consciente del objeto cuadro o escultura, libro o grabado, pero el proceso de elaboración, para mí, es vida.

L'artista è stato evidenziato in un articolo su Artmajeur Magazine:

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