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Andrea Vandoni

Adamo ed Eva (2021)

Tipo di opera d'arte
Dimensioni
36,2x28,7 in
tecniche
Supporto o superficie
Tela / Montato su Barella di tela
Incorniciatura
No
Pronto da appendere
L'opera ha un sistema di sospensione che ne consente il fissaggio a parete.
The painting represents the classic theme of Adam and Eve revisited in a modern way, with the human problems of our day, and with a little humor. The tree of the knowledge of good and evil has been cut down, both because it has met the fate that all trees do today, and because what good and evil are has not been at the center of our interests for a...
The painting represents the classic theme of Adam and Eve revisited in a modern way, with the human problems of our day, and with a little humor.
The tree of the knowledge of good and evil has been cut down, both because it has met the fate that all trees do today, and because what good and evil are has not been at the center of our interests for a long time. The snake has fled, both because it has no trees to climb and because man no longer believes in its personification of evil. Eva ate the whole apple, as selfishness permeates our lives more and more, and she realizes she is naked, trying to cover herself. Adam, not having tasted the fruit, has not yet realized that he is, and does not cover her nakedness, rather he exhibits it. Once the covenant with God is broken, diseases afflict humanity. The atmosphere is permeated with questioning glances about the future and the meaning of all this, above the masks, immersed in a landscape that is now almost lunar.

“Adamo ed Eva”, 2021

COLLECTION: Figures
MEDIUM AND SUPPORT: Original oil painting on 100% cotton canvas.
DIMENSIONS: 73 cm x 92 cm x 2 cm

This original and unique artwork was created by me and signed on the front.
Signed and dated also on the reverse.
This painting includes a Certificate of Authenticity.
The canvas is pre-stretched on a wooden frame and artwork is ready to hang, unframed if preferred.
On the painting there is a layer of final varnish that protects against UV light and dust.



ABOUT MY PAINTING AND MY INSPIRATION:
"The human figure and the things that surround us are the focus of my attention in their timelessness and modernity, in the way I see or imagine." "Mine is the search for a relative realism, subjective and imaginary". Among other topics, current events, ecology, revisiting old arguments in a modern way, objects (especially coffee-pots) symbolizes human situations, and the portrait. I believe that painting should restore its narrative function, I want my paintings speak about us, our problems, our dreams, our feelings, with the utmost possible beauty".
Andrea Vandoni
Seguire
Andrea Vandoni is an Italian painter born in 1972 in Novara, near Milan, the city where he currently resides and works.Since he was a child he showed his passion and his predisposition for drawing, took painting...

Andrea Vandoni is an Italian painter born in 1972 in Novara, near Milan, the city where he currently resides and works.Since he was a child he showed his passion and his predisposition for drawing, took painting lessons, visited the best museums, art galleries and art cities in Italy; this is how his love for art and history is born and grows.Later he joined this also the love of music, obtaining his violin diploma at the Conservatory of his city and thus also performing as a musician.The artist studied and trained at the Scuola degli Artefici and the Scuola del Nudo of the Brera Academy of Fine Arts in Milan, but always considering his true school the careful observation of the work of the great painters of all time who constantly nurture his artistic style, combined with continuous personal research.

ARTISTIC RESEARCH
Painting is for him the means to communicate himself.His artistic research and inspiration is focused on everything related to this experience that we call "Life", understood as the life that unites the humankind, in its totality, without temporal or geographical limits.Each side of this experience is worthy of investigation: from the most concrete, daily, domestic, to the most transcendent, metaphysical; from the current to the timeless, highlighting from time to time the curious, funny, ironic, provocative, poetic, moving, incomprehensible side.Painting therefore assumes a narrative task, becoming biographical from the autobiographical, general from the particular.The elements of this narrative can be identified in events of current relevance as well as in ancient subjects revisited in a modern key, or objects symbolizing human situations, or human figures object of psychological investigation.A figurative painting, therefore, of a relative, subjective, sometimes completely imaginary realism, defined as "super realism".The means necessary to express the concepts in painting and give strength to their meaning is for him the beauty, beauty that he seeks, paying attention to the composition, to the studied combination of colors, precise lines and volumes clearly defined by decided chiaroscuro, and seeking by these means the transparency in his works of a calm, deep and interrogative order.



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