





Jaws and flies (2019) Drawing by Hugo Simon
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"Fine-Arts" prints on paper
It is a process of printing on art paper using very high-quality pigment inks and printed in very high definition. Its level of conservation is exceptional (more than 100 years), its quality, depth, and richness of nuances exceeds the classic photo print on Argentic paper.

Glossy finish
Apart from its exceptional thickness, the fiber paper is composed of an alpha-cellulose base without acid and it is covered with barium sulphate, and a microporous layer absorption enhancing pigments during printing. A pure white color, non-yellowing to light, this paper is especially designed for resistance and aging. It is used by major museums worldwide as it offers excellent resolution, rendering deep and dense colors.
Art Print "Fine Art" - Glossy finish on a fiber base paper 325 g.

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About our fine prints-
Original Artwork (One Of A Kind)
Drawing,
Ink
on Paper
- Dimensions Height 3.9in, Width 5.7in
- Framing This artwork is not framed
- Categories Drawings under $1,000 Symbolism Nature
Un regard se dessine, corps d'insectes, vapeurs organiques.
Originellement un exercice de morphologie appliquée au sujet canin, très vite cette œuvre réalisée en automne devint pour moi une véritable ode à la décadence et au jeu fou des petits insectes qui dansent comme les feuilles mortes qui tombent.
Naturellement l'utilisation de la technique pointilliste implique le sujet même, ce sont les points noirs qui dessinent le dessine, tout comme dans la vraie vie c'est le point noir de l'insecte qui dessine la décomposition. Ne reste de la vie que le cristal internet de sa forme de jadis, l'os nettoyé par l'essaim des points noirs.
Je vous recommande comme pour tous mes travaux fait au point par point d'avoir une loupe à portée de main lors de l'étude de cette œuvre pour faciliter la lecture au second niveau. A noter que durant le transport, cette œuvre fut pliée dans son sens vertical. Je peux vous faire parvenir une photo si vous le souhaitez.
Related themes
To the impressionists, truthfulness. To the symbolists the transformation. To the surrealists the techniques. To the occultists the method. To my contemporaries the breath, to my friends the persistence, to my loves the will. I discovered ink around high school (in the form of felt-tip pens, plastics, disposable, industrial, useful). Since then, I have abandoned the rest. Except the human, the Art.
I come from an eclectic background. Literary baccalaureate, study of 2D animations, short internship in a company for an Arte production then I decided to stop everything, I entered into residency at 59 Rivoli in Paris and took advantage of the global pandemic to become a coffin bearer , get closer to the nerve point, humanity located between the perspective of love and the fear of death. Attraction and repulsion are two notions essential to my conception of art, which is profoundly dualistic, but always oscillating between one pole and the other.
My work is mainly transcribed through the use of ink. Ink is to my work what blood is to human life. The vision, like the bubble that rises from the boiling blood. In the tradition of the European symbolists, I seek to transcribe through the image the vector of what goes beyond it. The feeling is fleeting, but its moment, eternal. The work is a ruin. The ruin is always new.
I also practice tattooing done without the aid of machines as well as live models. I have participated in artistic experiments inspired by Marina Abramović's method, and occasionally engage in performance, filmed or not.
I I am happy that you have discovered my work through this medium, and I thank you warmly for the attention you bring to it. I live most often around the Paris region as well as 59 RIvoli where I met my first artistic family. I hope that you too will come to meet us one day, if only to share together the saving experience of art.
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Nationality:
FRANCE
- Date of birth : unknown date
- Artistic domains: Works by professional artists,
- Groups: Professional Artist Contemporary French Artists