Annegare dentro il SE' ( Drown inside the SELF) (2023) Painting by Giò Pasta

Oil on Canvas, 59.1x39.4 in
$8,166.5
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This artwork appears in 1 collections
Annegare dentro il SE' (Drown inside the SELF) Partiamo da un presupposto psicologico contemporaneo: ognuno ha un Narciso dentro di sé. Chi “soffre” di Narcisismo cercherà di afferrare, agguantare, acchiappare, prendere qualcosa che vuole con tutte le sue forze, qualcosa che non lo faccia sentire solo e che gli consenta di sentirsi[...]
Annegare dentro il SE' (Drown inside the SELF)
Partiamo da un presupposto psicologico contemporaneo: ognuno ha un Narciso dentro di sé.
Chi “soffre” di Narcisismo cercherà di afferrare, agguantare, acchiappare, prendere qualcosa che vuole con tutte le sue forze, qualcosa che non lo faccia sentire solo e che gli consenta di sentirsi vivo. Narciso, nella versione originale del mito, quando si specchia nell’acqua, non si innamora di sé stesso, come banalmente si crede, ma di un ombra e di una speranza. Intravede l’ombra della sua Psiche solitaria e sente l’odore della speranza di poter “guarire” da sé stesso, perché il giovinotto, nato bello, portava con sé una condanna degli Dei: sarebbe vissuto a lungo, restando bello, solo se non avesse guardato il suo stesso volto.
Per Narciso è impossibile saziarsi di acqua di rugiada, che non basta a specchiarsi veramente. L’unica via è immergersi nelle profondità oceaniche della Psiche dimenticando sé stessi, innamorandosi di sé stessi, ed esplorandosi. Narciso non vuole crescere e non si mette in discussione sui propri limiti e così muore, costretto a raggiungere la propria immagine rispecchiata nell’acqua.
Bisogna fare attenzione a non accusare solamente gli uomini di narcisismo perché anche molte donne hanno comportamenti di tipo narcisistico, che spesso sono reticenti ad ammetterlo; hanno un ideale di sé molto elevato ed è più organizzata al “controllo”; ad esempio, non possono fare a meno dei Selphy, in tutte le posizioni, per cui l’investimento sull’immagine sull’esteriorità estetica è assolutamente preponderante rispetto a tutto il resto. Lo specchio ha un enorme potere simbolico che affascina e suggestiona l’essere umano. Esso riflette ciò che desideriamo oppure ciò che non vogliamo vedere mentre apre a infinite realtà possibili: nuovi scenari trasformativi della coscienza. Il Narciso e rappresentato, con lo sguardo statuario, allucinato nello “specchiarsi in SE’ stesso” mentre sprofonda inesorabilmente, circondato da fluttuanti onde multicolore e forme irreali senza senso.
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I was born in Fano. Graduated Master at the International Art Institute "Fanum Fortunae" in Fano. In the 60s I moved to Milan, to continue my studies by attending the Brera Academy of Fine Arts, located[...]

I was born in Fano. Graduated Master at the International Art Institute "Fanum Fortunae" in Fano. In the 60s I moved to Milan, to continue my studies by attending the Brera Academy of Fine Arts, located in the heart of that vibrant, free and nonconformist Milan of those years, sharing art with many artists who frequented the favorite for many of them: a golden decade of art, music, fashion, design and a great will to live. In 1975 the first personal exhibition, "Tratti & Ritratti", Galleria Guelfa, Florence. In 1977 in Rome. I attended the Academy of Dramatic Art "P. Sharoff". The meeting with the famous F. Vigo gallery owner immediately established a good feeling and so he exhibited in his "Numero" gallery in Rome, a point of reference for relations between internationally renowned artists and intellectuals. In 1981 I returned definitively to Milan, from here I resumed my initial path. In 1991 I was fully accepted as an Academician at the Academy of Fine Arts in Fano. In the years to come, with multimedia events and installations, my painting maintained the figurative style between the visionary and the fantastic, continuing the transit towards the latitude of the dream leads me to express, through journeys of the psyche, the metaphors of the life of the my mental imagery.

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