Gerrit Cnossen

G.W. Cnossen (1959) .. I do not have the stated goal,

G.W. Cnossen (1959) .. I do not have the stated goal,but afterwards you can say that I am drawn ... by segmented colors and green earth landscapes.
Then it seems that I am in the growth,
the organic creations have 'stopped' ... until sundown .. so that I could also incorporate them in a more nocturne-like way ..
Dreamy ambiguity of plant and being became possible. But the dawn caused the drawings to 'illuminate' more.
She almost solved the back and afternoon light. Again in need of root, the imagination came more close to the earthly.
The chaotic was plowed for new inventions, new seeds, new 'models'. This period is indeed characterized by reversed 'models'
The reversed Fresh Vore showed figurations that were placed in an ensemble through associative texts. The first had one main role.
The latels had a collection of actors. In the next stage
the image became more spatial again. For example, a view of a countryside or urban landscape in which
dreamlike subconscious pommerants are just as important as .. .. the realistic, recognizable by the 'Grimm-ige' rural Fairy tale ..
Where the literal and figurative in a composite creation comes to full-flowering.
Where the literal and the figurative want to connect the visual to a good marriage Inspiration / Source ..
GoshI / the work looks like a voluptuous plant, I am a willing chlorophyll Sun Seeker, i am an orga (s) nism ..!
Chaos, Germs, In love with Sunlight, Backlight, Blinded by Sunlight, Faded, Destroys, Damaged, till .. Under Plowed, Under Conscious, Under Terrestrial,
The Mud that Dreams of Life and Life that Dreams of 'Rapture' Half Products of Black and White Dream Theater of Life Realism of the 'Metaphorical Realist' ?!