Orizzonti (1985) Painting by Gattavecchia

Tempera on Fabric, 35.4x27.6 in
$6,594.94
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One of a kind
Artwork signed by the artist
Certificate of Authenticity included
Ready to hang
This artwork is framed
Mounted on Wood Stretcher frame
This artwork appears in 6 collections
  • Original Artwork (One Of A Kind) Painting, Tempera on Fabric
  • Dimensions 39.4x31.5 in
    Dimensions of the work alone, without framing: Height 35.4in, Width 27.6in
  • Artwork's condition The artwork is in perfect condition
  • Framing This artwork is framed
  • Categories Paintings under $20,000 Expressionism
Due persone guardano da un balcone l'orizzonte burrascoso. C'è uno squarcio di luce. L'atmosfera è sospesa in emozioni malinconiche. Nelle opere di Gattavecchia coesistono il dolore e la speranza. Sono presenti tonalità scure e cupe, ma anche potenti pennellate bianche che rischiarano un cielo plumbeo e trasmettono un senso di[...]
Due persone guardano da un balcone l'orizzonte burrascoso. C'è uno squarcio di luce. L'atmosfera è sospesa in emozioni malinconiche.
Nelle opere di Gattavecchia coesistono il dolore e la speranza. Sono presenti tonalità scure e cupe, ma anche potenti pennellate bianche che rischiarano un cielo plumbeo e trasmettono un senso di speranza nel futuro.

Related themes

OrizzonteMelanconiaPersoneSolitudineTristezza

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Aristide Gattavecchia was a painter and sculptor of the 1900s, obtaining important recognitions in both artistic forms (the most relevant was the "Silver Dragon" International Prize for Sculpture obtained[...]

Aristide Gattavecchia was a painter and sculptor of the 1900s, obtaining important recognitions in both artistic forms (the most relevant was the "Silver Dragon" International Prize for Sculpture obtained in 1963).
Its production goes from 1947 to 1994.
He dealt with powerful themes such as that of violence (of war), incommunicability and loneliness.
And again the themes of a society that changes rapidly and does not know how to deal with and organize mutations appropriately: ecology, savings, consumerism.
And finally, more current content than ever, such as homosexuality and discrimination.
He investigated the human soul, pushing himself to raw and more intimate observation.
Aristide Gattavecchia has made existentialism his most distinctive reason for being.
An investigation into man, which goes beyond the phenomenological aspects to delve into a deeper knowledge of the subject.
A knowledge aimed at his most hidden world, at the very reasons of his existence. For this reason his works fluctuate in a surreal dimension which is nothing but pure subconscious.
Gattavecchia's subjects live in a decontextualized space, they are trembling bodies emptied of any physiognomic characteristic, of any plastic value.
The one described by the painter from Cesena seems to be a situation of existential solitude, an impossibility of communication and sharing, a state of being for which Gattavecchia has found an extraordinarily empathic and eloquent formal guise.

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