Derniers Rayons du Jour (2020) Peinture par David Tracey

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The sky is darkening and the day draws to a close but still the sun can send rays flaring across the sky. Clouds turn brilliant yellow and dusky red, the air is warm, and yellow light spills throughout the expanse. This lovely acrylic painting is 860x1140mm, portrait, canvas on a framed stretcher and ready to hang. Backlit clouds on an afternoon[...]
The sky is darkening and the day draws to a close but still the sun can send rays flaring across the sky. Clouds turn brilliant yellow and dusky red, the air is warm, and yellow light spills throughout the expanse.
This lovely acrylic painting is 860x1140mm, portrait, canvas on a framed stretcher and ready to hang. Backlit clouds on an afternoon sky, with the sun in frame flaring strongly. Bright warm colours, and a great sense of depth and space, it captures the last rays of the day.

Thèmes connexes

SunSkyCloudsSunsetSky Painting

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I am an artist based in Sydney, Australia. I like to create beautiful art where the painting technique creates the look of the modern world as we now perceive it through digital techniques.

I am an artist based in Sydney, Australia.

I like to create beautiful art where the painting technique creates the look of the modern world as we now perceive it through digital techniques.

For many years I worked as a scenic artist creating sets and backdrops for film and television, painting very large images in film studios. It was high pressure and short deadlines but what a great time!

With the advent of computer graphics, I moved on to creating realistic animated content commercially, again specializing in environments and surface textures. But I have come back to painting, still the most satisfying medium. Portraits now, and skyscapes too, sometimes together on the same canvas. I work in oil and acrylic, painting our modern world; both so rich and beautiful.

I learnt so much from the modern disciplines (film work, computer graphics, photography) and found it all is relevant when painting. I use these modern elements to lift the image, to meet the expectations of the modern eye. Even flares, artifacts, and scattering all work beautifully in oil to create a visually satisfying piece that is still clearly handmade, wrought by human creativity.

The artists I admire are Elizabeth Vigee Le Brun, William Bouguereau, and Marcel Marlier; masters in the realistic style and technique they used in creating such believable skin tones.

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