Triple Threat (2025) Drawing by Eugen Serbanescu

Ink on Paper, 19.7x27.6 in
$923.06
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Fine art paper, 8x11 in

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I consider myself rather a storyteller, so let me take you on a journey into my drawing, Triple Threat, a world where nothing is quite as it seems. At the heart of this surreal landscape is a kind of chessboard. No longer constrained by the ordinary black-and-white squares, this board suggests an unpredictable game. The pieces on this board tell their [...]
I consider myself rather a storyteller, so let me take you on a journey into my drawing, Triple Threat, a world where nothing is quite as it seems.

At the heart of this surreal landscape is a kind of chessboard. No longer constrained by the ordinary black-and-white squares, this board suggests an unpredictable game. The pieces on this board tell their own story. Look closely: one has the head of a snake, hissing with menace, as if it’s ready to strike. Another curves into the shape of a crescent moon, mysterious and unpredictable. And then there’s the one with a clover-like top—luck, fate, or something else entirely? This isn’t chess anymore—it’s a battle, a symbolic war where each move feels heavy with meaning.

Next to the gameboard, there’s a familiar figure—a statue of a thinker. He’s frozen in contemplation, caught between deep thought and indecision. He’s not alive, but somehow he feels… present.

And then there’s the machine. It’s strange, almost alive, with wheels and gears spinning in quiet calculation. Tubes extend from its core, some ending in writhing, worm-like shapes, others twisting into snake-like heads. It doesn’t just watch the game—it’s plugged into the board, a direct connection to this evolving conflict. Is it controlling the game? Playing it? Or just feeding off the chaos?

Amidst all this, there’s the mouse. A tiny figure, almost laughable in its fragility, holding a little umbrella as it glides along on roller skates. But don’t be fooled—this mouse has a role to play. It’s shielding itself from the light bulbs hanging overhead, some of which have transformed into unblinking, all-seeing eyes. The mouse is nature, small but defiant, navigating a world that feels built to overwhelm it.

And yet, you can’t help but ask: What is the thinker pondering? Is he planning his next move, locked in a silent duel with the machine? Or is he already ensnared by his own creation, powerless to stop it? Meanwhile, the mouse skates on, adapting, surviving, and perhaps outsmarting them all in its own quiet way.

For me, Triple Threat is a story about duality and the fragile balance between them—human and machine, chaos and order, survival and destruction. It’s not just about who wins or loses; it’s about the tension between forces that are constantly reshaping the world.

So, I invite you to look closer, to find your own meaning in the patterns, the pieces, the connections. Because in this world of endless possibilities, the next move is always yours to decide.

Related themes

StatueMouseUmbrellaMachineEyes

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An engineer by training and based in Bucharest, Eugen embarked on his artistic journey with oil painting in 1992, initially driven by curiosity and a newfound interest in the medium. This exploration soon blossomed [...]

An engineer by training and based in Bucharest, Eugen embarked on his artistic journey with oil painting in 1992, initially driven by curiosity and a newfound interest in the medium. 

This exploration soon blossomed into a deep-seated passion, blending his technical background with a profound appreciation for art. His extensive body of work spans post-impressionism and expressionism, with select pieces reflecting influences from baroque and renaissance styles. 

Currently, Eugen is preparing to launch a new collection of surrealist paintings at the end of 2024. Alongside his painting, he also creates charcoal works, occasionally offering these drawings for sale. His impressive portfolio is held in private collections, highlighting his significant impact in the art world.

Beyond his artistic pursuits, Eugen is committed to supporting and promoting emerging artists. His active involvement in business and art management activities underscores his dedication to fostering talent and contributing to the growth of the art community.

See more from Eugen Serbanescu

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