Cliteros IX-Cliterose (2020) Drawing by Yaël Moon
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This image is available for download with a licence
Sold by Yaël Moon
-
Original Artwork (One Of A Kind)
Drawing,
Pencil
on Paper
- Dimensions Height 15.8in, Width 11.8in
- Framing This artwork is framed (Frame + Under Glass)
- Categories Drawings under $500 Figurative
Une rose.
Cette rose n’est ni un début ni une fin.
Cette rose, c’est toutes les roses réunies.
Elle serait jaune pour dire pardon de tous ces affronts.
Elle serait rouge sang comme la passion longue des Amants.
Orange comme le désir impulsif, charnel.
Son Clitoris est racine, puisant l’énergie que l’on oublie.
Le Clitoris comme réservoir de la source de vie.
Cette rose on pourrait la graver sur la peau.
Comme un tatouage.
Douleur, symbole et création.
L’érotisme en trois mots !
La rose, comme l’érotisme exerce une fascination universelle.
Le Clitoris et la rose, pour ne pas oublier l’essentiel :
« Cueillez dès aujourd’hui les roses de la vie »…
Pierre de Ronsard
Crayon gras, fusain, acrylique et encre
Papier Antica Cartiera
100% cellulose
Grain fin - Ph neutre Acid Free Cold Press
Format 40*30 cm
Oeuvre encadrée par un professionnel
Baguette bois noire 2cm, passe-partout noir 6cm
Verre Clear color Anti-Reflet
Format encadrée : 54*44 cm
Related themes
At 18, driven by the need to travel and the desire for independence, Yaël continued her studies in the Merchant Navy.
The closed environment awakens his practice of drawing; the maritime landscape, his taste for observation.
She changed course and made her way into artistic practice and art therapy.
Yaël leaves with her family for Gabon, meets a team of psychologists who offer her the opportunity to put her knowledge in Art therapy into practice.
A storytelling-therapeutic workshop is set up and is complemented by individual artistic mediation sessions for children with specific needs.
Yaël discovered Côte d'Ivoire in 2013. She then decided on her unconditional and professional artistic commitment.
Artist, woman, western. Yaël lived in the cradle of humanity for 8 years. She looks at the traces of the colonial past, of France Africa.
Côte d'Ivoire seems to him to be plundered by an icy system where money is only the engine of all decisions.
She asks forgiveness for all these past, present and future crimes. It's like "an official restitution" of works for her, her duty as an artist begins there.
She wants to wash humanity, repair wounds, make them less painful.
Today, having returned to France for a few months, she chooses the Clitoris as a symbol of evolution, to repair mutilated and abused bodies and hearts.
The Clitoris is the female organ, dedicated solely to pleasure. He too is in the shadows.
Nature has so decided. With clitoral artistic creations, abused women (and men) could find a voice in that of her Art.
A way towards the recognition of their suffering and, by sublimation, of their being.
We are desiring and desired beings.
The abused could find their way there without being drowned in the whirlwind of ephemeral and superficial media revelations.
We cut what exceeds to "look pretty" and enter the norm. For "well-thinking".
She wishes to put this creation of unlimited Clitoris at the service of Equality.
So that the message takes on its full meaning.
Do not take power but open up to the freedom to be, to choose one's place in society.
- Nationality: FRANCE
- Date of birth : 1979
- Artistic domains: Works by professional artists,
- Groups: Professional Artist Contemporary French Artists