Tête Plastique Celeste (2019) Painting by Yaël Moon
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This image is available for download with a licence
Sold by Yaël Moon
-
Original Artwork (One Of A Kind)
Painting,
Acrylic
/
Plastic
/
Collages
on Wood
- Dimensions Height 20.5in, Width 20.5in
- Framing This artwork is not framed
- Categories Paintings under $1,000 Figurative
Comme un conquérant.
Comme l’Homme.
Il regarde son eau mise en bouteille, et son avenir plastifié.
Il ne s’en rend pas compte.
Les épaules disparaissent sous les étiquettes, pure source de vie.
Le pinceau s’agite pour capturer cet instant, cette pensée « Céleste » que le modèle a eu.
Céleste comme l’eau qui porte le même nom.
Céleste est plus chère que cristalline, dans les supermarchés d’Abidjan.
Pourtant c’est un produit local.
Et Cristalline est importée !?
Le pourquoi du comment ?
Les Dieux sont tombés sur la Tête !
Film de 1980 (Nonchalamment jetée d'un petit avion qui survolait la région, une bouteille de Coca-Cola atterrit au beau milieu du désert du Kalahari, parmi une tribu de bushmen ébahis ! Pour ces individus dits non-civilisés, qui vivent paisiblement en harmonie avec la nature, ce contact avec la civilisation est un véritable choc, au propre et au figuré ! Tombé du ciel, l'objet ne peut être qu'un cadeau des dieux.)
Le mot technique :
Les Plastiques sont découpés, collés, en couche sur le bois puis fusionnés.
Vernis acryliques avec film UV trois couches.
Nettoyer au chiffon doux sur la zone peinte.
En cas de salissures, passer un chiffon imbibé de savon à main, rincer au chiffon propre. Sécher toujours au chiffon doux.
L’utilisation de chiffons type chiffon à lunettes est recommandée.
Pour les plastiques, l’utilisation d’une bombe à air sec est adaptée ainsi que le plumeau.
Related themes
At 18, driven by the need to travel and the desire for independence, Yaël continued her studies in the Merchant Navy.
The closed environment awakens his practice of drawing; the maritime landscape, his taste for observation.
She changed course and made her way into artistic practice and art therapy.
Yaël leaves with her family for Gabon, meets a team of psychologists who offer her the opportunity to put her knowledge in Art therapy into practice.
A storytelling-therapeutic workshop is set up and is complemented by individual artistic mediation sessions for children with specific needs.
Yaël discovered Côte d'Ivoire in 2013. She then decided on her unconditional and professional artistic commitment.
Artist, woman, western. Yaël lived in the cradle of humanity for 8 years. She looks at the traces of the colonial past, of France Africa.
Côte d'Ivoire seems to him to be plundered by an icy system where money is only the engine of all decisions.
She asks forgiveness for all these past, present and future crimes. It's like "an official restitution" of works for her, her duty as an artist begins there.
She wants to wash humanity, repair wounds, make them less painful.
Today, having returned to France for a few months, she chooses the Clitoris as a symbol of evolution, to repair mutilated and abused bodies and hearts.
The Clitoris is the female organ, dedicated solely to pleasure. He too is in the shadows.
Nature has so decided. With clitoral artistic creations, abused women (and men) could find a voice in that of her Art.
A way towards the recognition of their suffering and, by sublimation, of their being.
We are desiring and desired beings.
The abused could find their way there without being drowned in the whirlwind of ephemeral and superficial media revelations.
We cut what exceeds to "look pretty" and enter the norm. For "well-thinking".
She wishes to put this creation of unlimited Clitoris at the service of Equality.
So that the message takes on its full meaning.
Do not take power but open up to the freedom to be, to choose one's place in society.
- Nationality: FRANCE
- Date of birth : 1979
- Artistic domains: Works by professional artists,
- Groups: Professional Artist Contemporary French Artists