Choisir sa voie Drawing by Christophe Moreau

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  • Original Artwork Drawing, Pencil on Paper
  • Dimensions Dimensions are available on request
  • Categories Drawings under $1,000 Hyperrealism
Le lien avec la famille va parfois bien au-delà du sujet du tatouage lui-même. Le goût pour la marque peut même devenir quelque chose qui se transmet ; Collectionneurs de tatouages, les parents de Yoanna ont voyagé à travers le monde pour rencontrer de nombreux tatoueurs. Ils lui ont appris à maîtriser la culture du tatouage, ses codes et surtout[...]
Le lien avec la famille va parfois bien au-delà du sujet du tatouage lui-même. Le goût pour la marque peut même devenir quelque chose qui se transmet ; Collectionneurs de tatouages, les parents de Yoanna ont voyagé à travers le monde pour rencontrer de nombreux tatoueurs. Ils lui ont appris à maîtriser la culture du tatouage, ses codes et surtout de comprendre l’engagement que celui-ci représente.

Par ce voyage initiatique, et grâce à son apprentissage, Yoanna a accédé à une sorte de liberté, désormais elle a toutes les cartes en mains pour suivre son propre chemin : son corps est comme une collection d’œuvre d’art en constante évolution, une toile qui se construit au rythme de son cheminement dans la vie.

Ses tatoueurs : Juan Puente (USA) - Topsi Turby (FR) - Sophie Haza (FR) - Morgane Mangetesmortsky (FR) - Henry Lewis (USA) - Nalla Smith (USA) - Joshua Lord (USA) - Yann Black (Canada) - Alex Reinke - Horikitsune (UK)

Related themes

TatouageLibertéCheminVoyage

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Born in Marseille, I am a self-taught artist. Part of my apprenticeship nevertheless took place through meetings and exchanges with a few artists from the Rhône-Alpes region where we were living with my parents.[...]

Born in Marseille, I am a self-taught artist. Part of my apprenticeship nevertheless took place through meetings and exchanges with a few artists from the Rhône-Alpes region where we were living with my parents. During this period I did all kinds of experiments and learned several techniques, from oil painting to pastel and even modeling. Many attempts before finally returning a few years later to the techniques of my childhood: gouache, watercolor and mainly pencil.

My work is autobiographical, it is inspired by my daily life, my experiences, my questions; It is the reflection of these captured moments that remain frozen in my memory. Through my encounters, I sometimes become the vehicle for expressing the emotions of others that I try to transcribe as well as possible in my paintings. My works then become the fruit of sharing.

When the image is in memory, everything then consists of best transcribing the atmosphere that emanates from the moment: removing certain contours, interpreting the light to keep only the essentials. Because in the end all the challenge is there, to get as close as possible to the original emotion. A research that is based on elements that may seem contradictory: where my technique consists of a realistic rendering, or at least to transcribe a certain reality, it must express the impalpable.

See more from Christophe Moreau

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