Vero Becker

ART-BECKER expose GALERIE JARDIN 75014 PARIS DU 01/09/07 AU 30/09/07

ART-BECKER VERO expose à partir du 15 juillet 2007 au restaurant AL HANA
102,rue de l'Ouest 75014 PARIS

VENTE AUX ENCHERES 6 JUIN 2007 A 20HEURES....MAISON ROSSINI PARIS---FACE A L'HOTEL DROUOT
COTATION ARTPRICE OBTENUE PAR LA VENTE DE "L'écorché", toile 100 x 120 x 4 cm, 60€ le point.

SALON DE L'ART FRANCAIS CASINO DE HYERES LES PALMIERS

EXPOSITION DU 01/02/07 AU 23/02/07 A WOIPPY A L'HOTEL DE VILLE
HUILES
VERNISSAGE LE JEUDI 1ER FEVRIER A 18H

ARTICLE PARU DANS LE REPUBLICAIN LORRAIN AOUT 2006

EXPOSITION DU 19 ET 20 MAI 2007
SALLE POLYVALENTE DE DOMBASLE SUUR MEURTHE 54

Véronique BECKER says Véro.
ARTPRICE
1965: Birth on April 14th in Lorraine, to Moyeuvre-Grande ( 57 ), of French nationality.
1971: Paint my first oil.
1972: Am prices(lessons) of painting with Charles BUHLER.
1973: Obtain the 1st price(prize) of painting of the city of Moyeuvre-Grande.
1976: Entered the School, tracked down quickly by professor of Plastic arts.
1978: First sales of oil to private individuals.
1979: Enter by wings the Fine art of Metz with professor of the School.
1980: R.SCHUMAN secondary school in METZ: artistic literary section. ( A7)
1980: Presented and accepted exceptionally in Decorative arts in Strasbourg, but I refuse to enter it because of the estrangement of the family place of residence.
1984: Give prices(lessons) of painting by means of the association " Loisirs et Détente " to about ten pupils.
1985: Creation of my first company (painter in letters) and of business (stationery for Fine art) " begun B*B " and exhibitions(exposures) solo spot, and in collective twice in the year.
1986/1988: Sales of private individuals' commands(orders) in France, Italy, the Scotland, Germany.
1986/1988: Model maker in advertising(publicity) at SERILOR screenprinting. (57)
1988: Model maker in advertising(publicity) to PRINTING OFFICE BOLLENOISE to Bollène. (84)
From 1989: sales in workshop(studio), private individuals' commands(orders).
1991: Collective exhibition(exposure) to Pernes-les-Fontaines ( 84 ).
From 1989: sales in workshop(studio), private individuals' commands(orders).
1991: Collective exhibition(exposure) to Pernes-les-Fontaines ( 84 ).
1993: Collective exhibition(exposure) to Venasque ( 84 ).
1994: Personal exhibition(exposure) to Beaumes-de-Venise ( 84 ).
1994: Collective exhibition(exposure) to Carpentras ( 84 ).
The used(employed) techniques are: brushes, knives, diverse and manual objects.
Watercolors, Indian ink, pastels, pencils and charcoals, oil, pigments, golden sheets(leaves), mixed textures.
My painting is protean.
My style is changeable, but I keep(guard) my appropriate(clean) techniques, shielded from inquisitive looks.
My works are printed by high colors and strewed with sheets(leaves) of gold, money(silver) or metal, according to my inspiration.
I use many knives, or of diverse objects which come to hand me, to try to return to the nature what belongs to him(her): the popular texture.
So, colors, textures and effects of materials(subjects) mixed in chosen forms are the base of my works.

I work on big sizes(formats) because that allows me to express myself more amply.

Not considering the acrylic as a noble material(subject), I prefer to leave her(it) aside to paint only in the oil, or sometimes with my own mixtures consisted of pigments, sands, black lava, ochre of Roussillon, diverse frosts(gels), mixed(involved) with sheets(leaves) of metal.
I paint generally of a single jet, never retouch a painting(cloth), do not start again either.

In perpetual collection of new techniques, influenced by no painter, but loving all the painters by respect for the primitive conception of the Art generally, I always question my Existential artistic.
He(It) is of absolved the truth in Art, each sees with the eye.
There is total sensory vibration only when we are any various, and fortunately that we are any various to perceive(collect) any art appropriate(clean) for each.

The Art is in itself that the life belongs to each.
We do not judge an artist.
Dali said: " the criticism is a sublime thing(matter), she deserves only geniuses. "
I adhere profoundly to this thought, because there is no genius on earth(ground)!

"L'Art lave la poussière du quotidien" Picasso.