Duality (2017) Painting by Tino Perdic

Acrylic on Wood, 33.1x33.1 in
$1,274.85
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One of a kind
Artwork signed by the artist
Certificate of Authenticity included
This artwork appears in 4 collections
Acrylic on hardboard (masonite), simple wooden frame. Exhibited at 2018 Anno homini 2000+ exhibition in Split, Croatia. This is the allegorical representation of the classical Christian story of Satan tempting Jesus in the desert. Besides the interesting composition stripped of the redundant details the interesting thing is that the two protagonists[...]
Acrylic on hardboard (masonite), simple wooden frame. Exhibited at 2018 Anno homini 2000+ exhibition in Split, Croatia. This is the allegorical representation of the classical Christian story of Satan tempting Jesus in the desert. Besides the interesting composition stripped of the redundant details the interesting thing is that the two protagonists look alike, as if they were brothers (which in fact they are, if we suppose that their creator is the same). The two opposite poles of the same cosmic principle, yin and yang, representing totality on the basis of division, experience on the basis of negation, light defined by the absence of dark and vice versa; this is a human condition. If we define world in terms of opposite pairs where one defines the other, what direct experience can be possible?

Related themes

PortraitYellowSatanDevilJesus

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Born in 1977 in Split, Croatia. Autodidact, recently admitted to Croatian Association of Visual Artists, a national body of predominantly academic artists. Held four solo exhibitions, the latest of which was[...]

Born in 1977 in Split, Croatia. Autodidact, recently admitted to Croatian Association of Visual Artists, a national body of predominantly academic artists. Held four solo exhibitions, the latest of which was "Liberalism" in the Museum of the City of Kaštela, Croatia.

Works from the latest Liberalism series are an expanded and logical continuation of previous considerations of the post-religious world with man and all pertaining in its center. In the broadest sense they strive to describe the human condition through a form of thought experiment and to deductively affirm the sense of the spirit of time, unuttered and defeatistically ignored. The result of these considerations will often seem inclined towards criticism, while being in its intent purely documentary, and as such devoid of judgement, at least to the extent of the possible. For even a name is a judgement, but such that does not influence the objective reality, very much the same as the name of an object does not influence its properties. Instead, they serve more as a catalog references of human experiences. By such analogy the works endeavor to forebode what is hidden by the collectively subjective, without sidetracks in categories of duality.

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