$414.26

Timothy Malone

What Lies Beneath #3 (2018)

Artwork Type
Dimensions
13x13 in
Dimensions of the work alone, without framing: 11.8x11.8 in
Techniques
Support or surface
Canvas
Framing
This artwork is framed
Ready to hang
The artwork has a hanging system allowing it to be fixed on a wall.
Number three in the series of three acrylic on canvas paintings, mounted on cradled panels and box framed, ready to hang. These works were created after I experienced plastic bags and other rubbish floating around when snorkelling around the coral reefs in the Red Sea, The sight was disturbingly beautiful.
Number three in the series of three acrylic on canvas paintings, mounted on cradled panels and box framed, ready to hang.

These works were created after I experienced plastic bags and other rubbish floating around when snorkelling around the coral reefs in the Red Sea, The sight was disturbingly beautiful.

Related themes

AbstractAcrylicPollutionPlasticRubbish

Timothy Malone
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Tim Malone studied Fine Art in South Africa and subsequently worked as an award-winning advertising art and creative director for almost 40 years. Now that experience defines his artistic process. His approach...

Tim Malone studied Fine Art in South Africa and subsequently worked as an award-winning advertising art and creative director for almost 40 years. Now that experience defines his artistic process. His approach to painting reflects the process in which layouts for print advertising are developed; any addition, deletion or amendment made to any part of the work impacts every other part. This means that solving one design problem often creates others, until a balanced result is finally achieved.

While Tim’s work is sometimes non-objective, it is always influenced by the social complexities, colours, shapes and textures of the places he’s lived and worked – South Africa, Saudi Arabia, England and Portugal.

Tim works in acrylic on canvas, paper and board, creating details using a variety of other media. Much of his work is  preference being hot-pressed watercolour paper, which is slightly absorbent, but allows the paint to be moved over the surface with relative ease.

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