U series VIII. Feedback (2019) Textile Art by Szilárd Barta

Not For Sale

Sold by Szilárd Barta

Certificate of Authenticity included
This artwork appears in 4 collections
  • Original Artwork Textile Art,
  • Dimensions Height 40.9in, Width 25.4in
  • Categories Textile Arts under $5,000 Abstract
The artificial one and the natural world are his contacts. The extruded linen gets into dubbing with the bark and creates a homogeneous surface. This is the interface where the environment between the viewer and the creation is reflected in the viewer. Work is done to make the frame and then wood bark, then form the appropriate supports and place[...]
The artificial one and the natural world are his contacts. The extruded linen gets into dubbing with the bark and creates a homogeneous surface. This is the interface where the environment between the viewer and the creation is reflected in the viewer.
Work is done to make the frame and then wood bark, then form the appropriate supports and place them on the frame. On the surface, after proper foundation, the sanding and top coat will come up and, depending on the surface, 3-4 coats will be painted until the final structure is formed. The process takes 4-5 weeks.

Related themes

Object PaintingExtruded CanvasMinimalismMonochromeChrome Color

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About Szilard Barta Biography I'm an autodidactic painter Szilárd Barta I was born in 1977 in Debrecen[...]

About Szilard Barta

Biography I'm an autodidactic painter Szilárd Barta I was born in 1977 in Debrecen . I'm looking for challenging boundaries in my creations. The intention is to have as little space as possible, with minimal and physical tension, to create the space for encounters and the unlimited flow of thoughts. Material and object art is a visual system in which the passion of scattering extends honestly and vividly to the barriers of the two-dimensional plane and communicates with what is around it. The combination of surfaces deformed by the materials or the supports achieves the connection between the voltage and the space. The paintings define and guide perceptions and perceptions in the symbiosis of emotions, painting and sculpture. Different spaces are forms such as totems, fantastic ancient elements whose structural features, where they appear, where they disappear. Reflections, impulsive gestures, formal balance, the three primary colors - red, blue and yellow - decisive and overwhelming shapes and surfaces, merge, prepare to create the directness and the drama of the event and create life. They are like evolution, focusing on elementary elements without conscious consciousness whose self-organization, complex living systems, on the surface or in the contemplative, leaving the development of thoughts consciously or instinctively infinite. During my work I was relying only on my own investigations and the study of the works and works of masters such as Alberto Burri, Roberto Crippa, Edmondo Bacci, Ferruccio Bortoluzzi, Agustino Bonalumi, Hisao Domoto. My art has not been studied in the profession I have no master to go to school. So this term, self-taught, is in full sense self-taught. 

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