Street Fairy 1 (on The Daily Telegraph) (2018) Painting by Sly Art

Acrylic on Paper, 28.7x22.4 in
$98.86
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This artwork appears in 4 collections
  • Original Artwork Painting, Acrylic / Spray paint on Paper
  • Dimensions Height 28.7in, Width 22.4in
  • Categories Paintings under $500 Figurative Car
Fée De La Rue (sur le Daily Telegraph) Comme la nuit tombe dans la ville, les passants dans les voitures parlent aux fées de la rue. Urban Pop art dans votre propre maison par l'artiste culte Sly. Ce ne sont pas des tirages car chacun est fait individuellement et signé pour commander et par conséquent varier[...]
Fée De La Rue (sur le Daily Telegraph)

Comme la nuit tombe dans la ville, les passants dans les voitures parlent aux fées de la rue.

Urban Pop art dans votre propre maison par l'artiste culte Sly.

Ce ne sont pas des tirages car chacun est fait individuellement et signé pour commander et par conséquent varier un peu de l'image illustrée. Ces peintures sont pulvérisées sur les pages du Daily Telegraph "emprunté" au pub. Le journal est émulsionné avec une peinture spécialement formulée qui fournit une texture et une finition au hasard qui convient au concept "Urban". Si vous êtes chanceux, vous pourriez obtenir un mot croisé à moitié fini. Prêt à accrocher avec des barres transversales et des clous.

Related themes

FairyFéeRueUrbainUrban

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Juan Sly is an Urban Pop Art artist who primarily expresses himself through spray stencils and oils. He derives inspiration from both contemporary and past popular culture images,[...]

Juan Sly is an Urban Pop Art artist who primarily expresses himself through spray stencils and oils. He derives inspiration from both contemporary and past popular culture images, skillfully melding them to form fresh and thought-provoking concepts for today's audience. His artwork oscillates between seriousness and playfulness, often combining both elements in his captivating creations. His artworks encompass a wide spectrum, ranging from humorous to anti-war, from sex to surreal themes.

Currently, he has a particular fondness for the stencil medium as it allows him to swiftly respond to current events and infuse his works with a raw, edgy appearance reminiscent of underground art. The stencils also enable the artworks to be replicated easily, making them more affordable and accessible. Through this approach, he strives to create art that is inclusive and inviting, catering to those who feel alienated by the elitism and exclusivity often associated with traditional art galleries. As a result, he faces criticism and disapproval from the "Art Police" and those who uphold the conventional art world.

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