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Kenneth Grzesik

Forest Abstract 55 (2019)

Artwork Type
Dimensions
Several sizes available
Support or surface
Several supports available (Fine art paper, Metal Print, Canvas Print)
Framing
Framing available (Floating Frame + Under Glass, Frame + Under Acrylic Glass)
The photograph used to create the symmetrical composition was taken deep in a Pacific Northwest forest early in the summer of 2018. The sun was at peak brightness as it filtered through the forest canopy. Open areas were filled with light. Where the vegetation was thicker shadows created deep pools of greens in varying shades. When walking in a forest...
The photograph used to create the symmetrical composition was taken deep in a Pacific Northwest forest early in the summer of 2018. The sun was at peak brightness as it filtered through the forest canopy. Open areas were filled with light. Where the vegetation was thicker shadows created deep pools of greens in varying shades. When walking in a forest there is a sense of increased awareness. The imagination begins to wander. Thoughts of the forest as a dance in time come into focus. A feeling that the choreography is guided by the sun, wind and rain comes and goes. One must pay attention to avoid becoming lost.

Related themes

Digital AbstractContemporary AbstractSymmetrical ArtSymmetrical DesignSymmetrical Image

Kenneth Grzesik
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Degrees: B.F.A., Northern Illinois University, DeKalb, 1974 M.A., Northern Illinois University, DeKalb, 1977 C.C. Photoshop/Illustrator, Lake Washington Technical College, 2008, President's...

Degrees:
B.F.A., Northern Illinois University, DeKalb, 1974
M.A., Northern Illinois University, DeKalb, 1977
C.C. Photoshop/Illustrator, Lake Washington Technical College, 2008, President's List for Academic Achievement

My imagery is built around a concept. After a central idea is established I explore possibilities within a set of creative and aesthetic parameters. From my perspective visual art is idea, expression, experience and process fused to create a perceptual synergy.
Nature has always played an important role in my art. In the late seventies and early eighties it was the focal point of several commissioned installations in Seattle and Chicago. During the next two decades or so landscape painting and drawing were my primary areas of interest. The work was exhibited in minor venues in Washington and Hawaii.
It was in 2005 when I bought my first computer and digital camera. The initial attraction was the speed that imagery could be produced. It was exciting to work at the speed of idea where the time span between concept and image was short. What followed has been a nonstop process of photography and editing. Presented here is an assortment of images that are a visual record of that activity.

See more from Kenneth Grzesik

Several sizes
Prints
Several sizes
Prints
Several sizes
Prints
Several sizes
Prints

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