Marion Rudermann

Pour les fans de gastronomie et de peinture, une toile haute en couleurs s'expose dans un restaurant Belge haut de gamme.

De "L'envol des cygnes" (nom du tableau), à l'envol des sens, il n'y aura qu'un pas... de danse.

http://nl.resto.be/restaurant/1410-waterloo/21814-de-bouche-a-oreille/beoordelingen

http://www.deltaweb.be/restaurant-De-Bouche-a-Oreille+5642+f

1st to 30 November in Paris, Marion Rudermann shows her double exposure
paintings, entitled "Corps et graphies imaginaires" (Body and imaginary lines).

The theme of the dance is the theme of this exhibition.

Through her works, Marion Rudermann represents her own definition of the word "
Choreography: The "body" for those dancers and dancers who are like
suspended in motion at the center of the canvas. And "lines" for the white writing
and rhythm that comes gushing these paintings. An artistic technique, mixing
abstract and representational, allowing Marion Rudermann highlight all
movement and energy of these imaginary choreographies.

Here the artist inverts the codes and has a white writing which falls into negative
on black or color canvas. Thus these "lines" are placed at the center
representation of the body and create a true pictorial style.

Although these paintings belong to the same theme, each of them may be linked
a style of dancing and different music. Indeed, in this paint job is the
diversity of cultural expressions, the mixing and the influence of all the dances and
all the music, that Marion Rudermann wanted to image.


Come discover the pictorial choreographies of Marion Rudermann in her double exposure.
An original event located simultaneously in two different Parisian "Cafés".
An exhibition like a game where the words "paint", "dance" and "
friendliness "will be waiting for you ...!



Part of the exhibition is currently on the walls of the bar "the Gave de Pau" in
147 rue de Charenton in the XII until 30 November (M ° Reuilly Diderot).

Second part of the exhibition: "Café Titon" at 34 rue Titon in the XI, 1 to
November 30 (M ° Charonne).

Opening night: Tuesday, November 9 at 19h at "Café Titon," 34 rue Titon.

Marion Rudermann was born in Lyon in 1971 and grew in Nîmes (south of France).
She very early shows predispositions to art because the drawing is for her a second nature.
Her books of school are sometimes full of caricatures and short stories that she has fun to make live with the characters that she invents.

She also studies music at the Nîme's School of Music, in class of flute.

Now she lives and works in Paris and perfects its artistic formation and its creation (piano/jazz in Bill Evans Piano Academy, art school Helena Hamer, initiation with the techniques of old paintings to the workshop “Rebirth”, modelling according to alive models with the A.D.A.C. of Paris.

The topic of the dance, even if it is not only, is a recurring subject in the work of Marion Rudermann.
In 2005, year when she decides to be devoted seriously to painting, she makes an incredible discovered. Invited to the Garnier Opera for the first time, she attends the “magic” spectacle of the large choreographer Merce Cunningham. This representation will be for her a revelation. Universe of the dance, to which it forever really paid attention, seems to her from now on a medium of an incredible modernity and an inexhaustible source of inspiration.
Air, semi-sparkling, énergisants…. Its tables are quasi-alive paintings. “In fact, this is the body moving which interests me and in particular the imaginary reconstitution that one can make of these movements, by looking at the canvas”.

The artist transforms sometimes his principal dancers into notes of music and its works become true pictorial partitions.
For Marion Rudermann, the dance is thus pretext with the creation of works, where the body can be put in scene with much freedom and imagination, following the example certain tables where it combines the oil-base paint with the highlighting of the dancers or, with the addition of tended cords of double bass, encrusted in the table: “A little primitive manner but some, of going towards a polymorphic work, combining music, painting, sculpture and dance”.

Diversity as key word of her work

But the production of Marion Rudermann is not limited to works on the topic of the dance because she also works on original series of portraits, “the series David Lynch”… And when she does not paint, she creates either of new sculptures, or of the furniture of Article.
Ultimately, which characterizes her work, it is her taste for the variety and her capacity with being plural. “I like to make different things, to renew my way of working, of modifying my perception of the things. Like everyone, I am not always of the same mood. And with the image of this changing frame of mind, I thus do not want to lock up me in a pictorial yoke”.
This diversity of the styles and the techniques is used for indeed the artist in her desire to surprise the other. Above all, she wishes to prick its curiosity : “Ideally, I would like to create at the spectator an effect of surprised which is always renewed”.

Also in her work we will find some tables which put to us in empathy with the pain physical and mental that they appear, while others, taking as a starting point the dance, will lend to us feelings of lightness and energy.

An artistic vitality that each one will be invited to discover during the two next exposures planned for september, in Paris, on the topic of the dance!

Helene Nguyen