Transports amoureux (2014) Painting by Raoul Scipioni Guenancia

Sold by Raoul Scipioni Guenancia

Certificate of Authenticity included
This artwork appears in 4 collections
  • Original Artwork Painting, Oil on Canvas
  • Dimensions Height 51.2in, Width 38.2in
  • Categories Paintings under $5,000 Figurative
Vue de dos, une jeune femme en maillot de bain est étendue sur le sable. Une micheline (autorail) remonte lentement la pente sur les rails formés par la bretelle et les coutures du maillot de bain pour se fondre dans les longs cheveux de la baigneuse. Un voyage imaginaire en transport en commun autour de l'Eternel Féminin. Réalisation :[...]
Vue de dos, une jeune femme en maillot de bain est étendue sur le sable. Une micheline (autorail) remonte lentement la pente sur les rails formés par la bretelle et les coutures du maillot de bain pour se fondre dans les longs cheveux de la baigneuse. Un voyage imaginaire en transport en commun autour de l'Eternel Féminin.
Réalisation : méthode des glacis. Multi-couches d'huile sur toile rehaussées d'un vernis mat.
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Born in 1961, I received a classical training from a prestigious Art School in Paris. (Penninghen School Met / Paris (ESAG) / ENSAD (Ecole Nationale Supérieure des Arts Décoratifs) Degree / Paris. Today, at[...]

Born in 1961, I received a classical training from a prestigious Art School in Paris. (Penninghen School Met / Paris (ESAG) / ENSAD (Ecole Nationale Supérieure des Arts Décoratifs) Degree / Paris. Today, at age 55, I am still working for an advertising company as a “roughman” (advertisement sketch artist) and I am now developing my second life through my paintings.
I practice as a painter since 2008 and I show my work since 2014. My painting studio is situated in Joinville-le-pont (2km from Paris)

• The first part of my work is a dreamlike look around Eternal Feminity. The tale start where the immediate meets the infinite, where precision merges with artistic blur.
It is a place where the search for happiness cloaks the reality of our unhappiness. Ultimately by drawing back from
the heart of the matter, we grow closer to futility ... and vice versa. / Oil on canvas in large format - Method of the glazing touch.

• The second part of my work recreate the codes of the portrait of today with the selfie. My EGO-PORTRAITS are narcissistic mirrors : they hold in the duration pictures, changing all the time. In the era of Snapchat filters and Photoshop retouching,
I want to introduce a look which shows it harshness with pride, without special effect. / Oil on canvas - The frames are made wooden painted

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