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Le Viol (2010) Painting by Patrick Jannin
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Original Artwork
Painting,
- Dimensions Height 47.2in, Width 39.4in
- Categories Paintings under $5,000
Elle, la femme, est assise les jambes légèrement écartées. Vêtue d'une robe aux tons clairs (blanc-cassé), elle dirige sur le spectateur/témoin, un regard vide qui surplombe une bouche ouverte sur une langue ... morte. Ses lèvres sont bleues ! Elle est morte !! Il y a des trous dans sa robe ! On voit le mur et le sol à travers ! Bordel ! Elle est morte.
- L'homme lapin, c'est lui ! Regarde, son outil est encore entre ses cuisses. Son engin de mort est toujours dans son ventre !!! Le salaud ! Regarde-moi tous ces trous ! Le salaud l'a sautée à plusieurs reprises.
- L'homme ... le "lapin". Il s'appelle John Wayne, il avait ses papiers dans la poche arrière de son Levis. On le piste depuis un bon bout de temps déjà. Drôle de gars, pas joli-joli tu vois ? Là, dans son crâne. Il souffre de personnalités multiples. Un jour il est John Wayne, et le jour d'après il est Marlon Brando, ou encore Daffy Duck. En fait il est tout ça à la fois, et aussi plein d'autres trucs, plein d'autres gens (...) et d'autres choses aussi - - -
Hmm, là, on l'a chopé dans sa phase cow-boy. Le gars viril tu vois. Le gars qui baise, avec un grand B, donnant de l'amour ou de la mort à toutes celles qu'il croise. Le mec !
- Ouais, n'empêche que cette salope, elle l'avait bien cherché aussi. T'as vu comme elle est sapée ?
- Ouais.
Patrick Jannin, born in 1971, gives us, through an abundant and protean body of work, a most disturbing vision of the world, or to use the Freudian expression, one of disturbing strangeness. This worshiper of beauty has over the years built a world apart, on the fringes of fashions and artistic currents, in which man, fallen and condemned since the dawn of time to perpetual hell, rubs shoulders - as if to no longer feel, if need be, its ugliness and baseness – creatures of startling beauty, women with animal heads or animals with dreamy bodies, goddesses straight out of ancient myths, who were said to be barbarians then condemned in order to to install in the heads of men a symbol of death and existential emptiness, a vengeful god, the lying god. As for the truth, with this painter, it is quite simply found, for those who only know how to open their eyes to the world around them, on the branch of the tree or under the thickets of an equatorial forest, under the form of the Deer or the Robin, the Hyena or the Zebra. So many animal-symbols, so many totems punctuating the existence of those who aspire to go higher, further and deeper, and all bearers of the same energy, all beautiful and luminous, even in their darkness and in their cruelty, for as Nature made them. So yes, this is how we can see Jannin's universe: a world with three entrances, where each medium (drawing, photography and painting) brings with it its own questions but also ultimately THE answer: beauty. Beauty as a quest, beauty as a bulwark against the inherent stupidity of men, beauty as a source of light, necessary for life itself.
- Nationality: FRANCE
- Date of birth : 1971
- Artistic domains: Works by professional artists,
- Groups: Professional Artist Contemporary French Artists