Aiguilles de Port-Coton (2021) Photography by Pierre-Louis Ferrer

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Sold by Pierre-Louis Ferrer

Artwork signed by the artist
Certificate of Authenticity included
Ready to hang
This artwork appears in 4 collections
Aiguilles de Port-Cotons torn by the waves, Belle-Ile-en-Mer. Infrared photography giving this coastal landscape complementary red and blue hues, accentuating the dramatic rendering of the scene. This bright red rendering is obtained from the shooting thanks to the infrared photography technique, capturing light rays invisible to the naked eye and[...]
Aiguilles de Port-Cotons torn by the waves, Belle-Ile-en-Mer. Infrared photography giving this coastal landscape complementary red and blue hues, accentuating the dramatic rendering of the scene. This bright red rendering is obtained from the shooting thanks to the infrared photography technique, capturing light rays invisible to the naked eye and revealing an alternative and dreamlike environment. Dibond lamination and Plexi bonding for unique protection, depth of detail and rendering. Custom printing made by a professional laboratory, controlled and certified by me before sending to you.

Related themes

BretagnePaysageCoteOcéanMarin

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Pierre-Louis Ferrer, is a professional photographer working on the notions of perceived reality and revelation of our natural and urban environment He has developed specific shooting[...]

Pierre-Louis Ferrer, is a professional photographer working on the notions of perceived reality and revelation of our natural and urban environment

He has developed specific shooting techniques (infrared, ultraviolet, pinhole, long exposure) allowing him to reveal our world in a new light and to invite the viewer into dreamlike, offbeat and destabilizing scenes.

Pierre-Louis Ferrer is a French artist. With a scientific background, he graduated from an engineering school in optics and sensors in 2011. His work is regularly exhibited in galleries and at festivals and art biennials, in France and abroad.

The Artist was highlighted in an article in Artmajeur Magazine:

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