© 2020 Pierre Duquoc
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Ghost #32 (2020) Photography by Pierre Duquoc
Photography, 19.7x29.5 in
$214.28
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This artwork appears in 20 collections
-
Limited Edition (#1/20)
Photography,
Digital Photography
/
Manipulated Photography
on Paper
- Dimensions Height 19.7in, Width 29.5in
- Framing This artwork is not framed
- Categories Photographs under $500 Abstract Musicians
For a photographer it is often paradoxical to accept and even more so that his photos are blurred.
In the "Ghosts" series, I chose to work on the theme of disappearances.
Not the most painful, such as the loss of a loved one, but rather those I will call the small everyday disappearances.
The moments that our[...]
For a photographer it is often paradoxical to accept and even more so that his photos are blurred.
In the "Ghosts" series, I chose to work on the theme of disappearances.
Not the most painful, such as the loss of a loved one, but rather those I will call the small everyday disappearances.
The moments that our brain captures, stores in our memory, in order to then be able to transform them as it pleases, into what we call our memories.
I felt that the movements of artists, musicians, dancers, singers, circus artists and others, are particularly conducive to this little game.
They gradually fade behind their instruments, their performances, in favor of the traces they will leave in our memory, and the memories that our unconscious will produce.
At the end of the show, their little disappearance helps us populate, haunt our minds.
The play does not end at the stage of the performance, but also happens at times in other fleeting moments of everyday life.
I took the paradox even further by not taking blurry shots from the start, but, as our unconscious would have done, by recreating the blur from sharp shots.
In the "Ghosts" series, I chose to work on the theme of disappearances.
Not the most painful, such as the loss of a loved one, but rather those I will call the small everyday disappearances.
The moments that our brain captures, stores in our memory, in order to then be able to transform them as it pleases, into what we call our memories.
I felt that the movements of artists, musicians, dancers, singers, circus artists and others, are particularly conducive to this little game.
They gradually fade behind their instruments, their performances, in favor of the traces they will leave in our memory, and the memories that our unconscious will produce.
At the end of the show, their little disappearance helps us populate, haunt our minds.
The play does not end at the stage of the performance, but also happens at times in other fleeting moments of everyday life.
I took the paradox even further by not taking blurry shots from the start, but, as our unconscious would have done, by recreating the blur from sharp shots.
Related themes
Pierre Duquoc is a photographer attracted by editing, special effects, the art of making real what is not, of opening windows on the imagination. His first works remained anchored in reality, thanks[...]
Pierre Duquoc is a photographer attracted by editing, special effects, the art of making real what is not, of opening windows on the imagination. His first works remained anchored in reality, thanks to digital tools, he quickly oriented his work towards photo-montage.
The series of photos of the "Mini-adventures" are intended as snapshots with absurd humour, often reflecting in the background real-life situations.
Pierre Duquoc is a self-taught artist, he lives and works in Athis-Mons (France). He has participated in many exhibitions. His series “Les Minipéripéties”, exhibited several times, earned him a nomination for the 2011 Arcimboldo prize organized by the “Gens d'image” association and the “Swiss Life” foundation.
-
Nationality:
FRANCE
- Date of birth : 1966
- Artistic domains:
- Groups: Contemporary French Artists
The Artist was highlighted in an article in Artmajeur Magazine:
Pierre Duquoc, the art of irony
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