z7-corail-spaciale.jpg Photography by Pierre Blanchard

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  • This work is an "Open Edition" Photography, Giclée Print / Digital Print
  • Dimensions Several sizes available
  • Several supports available (Fine art paper, Metal Print, Canvas Print)
  • Framing Framing available (Floating Frame + Under Glass, Frame + Under Acrylic Glass)
  • Categories Abstract
About this artwork: Classification, Techniques & Styles Technic Photography Photography refers to the combination of[...]

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Visual artist, self-taught, specialized in digital art, I exhibit in the provinces in a timid way it is true why simply because digital art has not yet returned to the inhabitant, I do not take a fresh look[...]

Visual artist, self-taught, specialized in digital art, I exhibit in the provinces in a timid way it is true why simply because digital art has not yet returned to the inhabitant, I do not take a fresh look in fact, because that seems artificially worked, the word Fractal is scary what is this mathematics, why this name is not done with the hand directly in short a set of details that bother and generate a certain difficulty as if it were reserved for insiders , in a word too complicated all this. For these reasons I also work in photography not for a living not at all simply to try another approach but it doesn't give any unnecessary rewards. It is the Fractal world that I want to discover, nothing else.
After having studied computer science at the birth of PC micros like the 286,386,486 and Pentium, in the 93s and obtained the first university degree of the first promotion that of the I.U.T of Mulhouse, as an analyst programmer, developer, I would be interested in algorithms, concerning artificial intelligence, the beginnings of neuroscience in these 93 years the net did not yet exist we were talking about intra net or intranet networks, we still translated under Framework the means of establishing relations between words, the use of order in the sentence, the links there it was the birth of word processing, in fact a very long work it was the beginnings an adventure in itself, at the speed of a floppy disk and a few megabytes that one had to know how to manage to carry a program as light as possible from the was born in my opinion the first Fractal applications, it was above all algorithms allowing to compress the data in fact of zipping according to a certain order, redundancies, now I would say iterations, according to a stack, schematic symbol of the organization of data in memory, or on a disk. it was also the time of Jurassic Park and remember the name of the chapters of this book, "First Iteration, second Iteration etc! a snub to science somewhere between the future development of a new mathematics and a story of a dinosaur that appeared it's true thanks to a stem cell in amber with all its DNA it was necessary to be strong to pass in a few minutes from a bygone period, disappeared invisible moreover, towards a world still non-existent it was and it remains a rather pleasant dream, it's a bit all of this Fractals seen in a non-formal way something between being, having it, and the being!
The fractal world appeared in the USA around this period passionate about Stefan Hopkins and the world of Mandelbrot, I decided that a new art could exist in Fractal representation, that it would be, Digital, and would define a philosophy adapted to these new contingencies.

It is through this world still in progress, under study and without limits other than the limits of the software, the PC, its power and its computing speeds, that we can lend to it that I take in hand an art which wants to be non-elitist, accessible to all both from the point of view of the realization, and of the free subjective interpretation of the remodeled forms.
First personal exhibition, in 2003. My field of adventure is abstract, made of pulsations, bursts. I combine in my work the structuring of the "matrix" support, and the successive addition of layers in order to make the textures more or less deep, work on the shape, and the light around an algorithm where the possibilities remain infinite.

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