jour 54 - 20.12.2012 (2012) Drawing by Pascale Aurignac

Graphite, 7.9x7.9 in
$183.03
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This artwork appears in 1 collections
  • Original Artwork Drawing, Graphite
  • Dimensions Height 7.9in, Width 7.9in
  • Categories Drawings under $500 Abstract
acrylique, poudre graphite, empreinte gaufrage, mine graphite,sur papier. Phrase du jour : "Ce qui rend si stupéfiant l'aurore boréale, pâle rideau arachnéen de lumière qui semble onduler vers le ciel, c'est en partie sa timidité." Bary LOPEZ lu dans Le Monde du jour.
acrylique, poudre graphite, empreinte gaufrage, mine graphite,sur papier.

Phrase du jour :

"Ce qui rend si stupéfiant l'aurore boréale, pâle rideau arachnéen de lumière qui semble onduler vers le ciel, c'est en partie sa timidité."
Bary LOPEZ lu dans Le Monde du jour.

Related themes

AcryliquePoudre GraphiteEmpreinte GaufrageMine De Plomb Sur Papier.

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Pascale Aurignac is a French artist, drawer and painter born in 1963. She's now living in her studio in Montaigu (Jura, France).  Painting and drawing (with pencil or graphite powder) have been[...]

Pascale Aurignac is a French artist, drawer and painter born in 1963. She's now living in her studio in Montaigu (Jura, France). 

Painting and drawing (with pencil or graphite powder) have been the basis of her artistic practice. Always curious about materials, their association and resonance, she then explored other techniques, such as collage, sewing on paper, prints, monotype, embossing, insertion of photographs, zinc engraving. Pascale Aurignac is always in search of technical discoveries because they offer her new possibilities of creation. Sometimes the technique induces the creation, sometimes the creation requires a new technique.

These last years, her research is oriented on the correlation between the material/mediums and the support or its absence, the resonance between the plastically realized surfaces and those left blank in suggestive link with nature and her look at the world. She works mainly without a paper support, with a technique that consists in pouring several layers of paint one on top of the other, up to twenty, on which she lets her imagination run wild, most often inspired by nature. 

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