Drawing titled "54 - 09.05.2012" by Pascale Aurignac, Original Artwork, Other

54 - 09.05.2012 (2012) Drawing by Pascale Aurignac

Not For Sale

Original Artwork Drawing, Other

Artworks classification

Original Artwork

Original Artwork refers to any work that is considered authentic and not a copy or imitation of the original works of an artist. Original artwork can be any type of painting, sculpture, performance, or other media. There are many types of original media. Mixed media includes oil, acrylic, and watercolor paintings. For workshop paintings that bear evidence of master craftsmanship, this attribution must be further qualified. While they may be less valuable for different reasons, reproductions and copies have had a tremendous impact on our experience. They reach a greater audience than originals and act as a tonic against commodification. Original Artwork could also refer to the first work, which is always preceding all others. It could also refer to a prototype or a model from which other works can be made. Each work bears great similarities to the original.
Dimensions Height 5.5in, Width 5.5in

monotype + encre crayon couleur mine de plomb pierre noire empreinte gaufrage sur papier About this artwork: Classification, Techniques & Styles Other Other[...]

Pascale Aurignac

France

Pascale Aurignac is a French artist, drawer and painter born in 1963. She's now living in her studio in Montaigu (Jura, France). Painting and drawing (with pencil or graphite powder) have been[...]

Pascale Aurignac is a French artist, drawer and painter born in 1963. She's now living in her studio in Montaigu (Jura, France).

Painting and drawing (with pencil or graphite powder) have been the basis of her artistic practice. Always curious about materials, their association and resonance, she then explored other techniques, such as collage, sewing on paper, prints, monotype, embossing, insertion of photographs, zinc engraving. Pascale Aurignac is always in search of technical discoveries because they offer her new possibilities of creation. Sometimes the technique induces the creation, sometimes the creation requires a new technique.

These last years, her research is oriented on the correlation between the material/mediums and the support or its absence, the resonance between the plastically realized surfaces and those left blank in suggestive link with nature and her look at the world. She works mainly without a paper support, with a technique that consists in pouring several layers of paint one on top of the other, up to twenty, on which she lets her imagination run wild, most often inspired by nature.