Par ici Painting by Alexis Ox6mor

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Sold by Alexis Ox6mor

Certificate of Authenticity included
This artwork appears in 1 collections
  • Original Artwork Painting, Acrylic / Other / Spray paint on Canvas
  • Dimensions Height 15.8in, Width 15.8in
  • Categories Paintings under $500 Outsider Art
Après un fond uni à la bombe, je souhaitais marier, une fois de plus, des lettrages (ou graffitis, c’est selon) à des corps ou visages. Les visages sont venus en premier, et comme je ne voulais pas les colorier (ou très partiellement) il me fallait filouter pour laisser croire que le fond de lettres était apparu en premier lieu. Comme[...]
Après un fond uni à la bombe, je souhaitais marier, une fois de plus, des lettrages (ou graffitis, c’est selon) à des corps ou visages. Les visages sont venus en premier, et comme je ne voulais pas les colorier (ou très partiellement) il me fallait filouter pour laisser croire que le fond de lettres était apparu en premier lieu.

Comme souvent, les blazes factices ne sont qu’une addition de lettres de l’alphabet que j’aime associer, en m’efforçant d’obtenir des syllabes prononçables plutôt des suites barbares de consonnes. Les têtes mêlées pourraient elle-mêmes former une lettre, ou rappeler une figure géométrique. Face à la pagaille des couleurs, les parties tels que peau, yeux et dents ont été simplifiés, souvent sans coloriage, afin de ne pas rendre le tout confus.

Related themes

Street Dessinateur GraffitiStreet GraffeurStreet Graffeur Tag

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Career Having experienced the fashion of tagging, graffiti and then the emergence of street-art, I started by developing different types of writing, then on the study of poses bodily. Little[...]

Career
Having experienced the fashion of tagging, graffiti and then the emergence of street-art, I started by developing different types of writing, then on the study of poses bodily. Little by little, I realized that reproducing reality was not my thing. The landscapes, the respect of proportions, the depth, the gradients… nothing to do, the sketches followed one another without anything working. Until the day when I preferred to use my faults to turn them into graphic qualities, which was to become my touch. After all if I drew this head too big or if I extended this arm to this point, why not accept it?
I then explored the paths of tribal arts, comics, street-art, cubism, and mixed it all up. The idea, from the start, was to inspire me without ever copying. My first drawings were as numerous as they were tiny, rarely exceeding a few centimeters on each side, using ultra-fine pens or markers. Then the format evolved (from the A4 sheet to the canvas frame) as well as the support (from the inert to the living).


Domains
. Canvas… modest sizes, for personal taste but also for practical reasons (living in an apartment, little space!).
. Street-art drawing… Drawn sheets that I then stick in the street. Bulimic of A4 format, I can do up to a hundred in one day... but not every day of the year.
. Body-painting… For which I set up an association (enter “symbiosis body project” in the engine of your choice), generally in naturist areas, with a photographer. Sometimes also for events (festivals, community centres, etc.).


Style, influences, techniques

My #1 material: felt. I handle the brush very little, except to make some abstract backgrounds in relief. In canvas, I first make a background, abstract, to highlight the figurative pattern of the felt, giving a "cloudy" or "starry" base of several intertwined tones, giving way to a drawing with clear black outlines, distinct shapes , then interiors in bright colors, often primary and secondary.


It's hard to cite very specific influences, feeding me with the image without trying to know its history and origin. In fact, I have many influences that I cannot necessarily name. Note all the same…


. Primitive and tribal arts, ink and brush comics.
. Cubism.

. The writings, whether tags, hieroglyphs, calligraphy or even computer fonts.

. The street-art of anonymous people of all kinds (stickers, stencils, reverse graffiti, volumes…).

The Artist was highlighted in an article in Artmajeur Magazine:

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