Rythmes 109 - Série vitrail - format grand vertica (2019) Painting by N.M.Mathieu

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Sold by N.M.Mathieu

  • Original Artwork (One Of A Kind) Painting, Stained glass painting on Plexiglass
  • Dimensions Height 7.9in, Width 0.4in
  • Artwork's condition The artwork is in perfect condition
  • Framing This artwork is not framed
  • Categories Abstract Abstract
Peintures mixtes sur plexiglas. L'effet rendu de transparence fait penser au vitrail. Cette peinture est posée sur un socle en altuglass de la largeur de l'oeuvre comme une sculpture et peut être mise dans la maison. Si vous la mettez proche d'une source lumineuse, les couleurs vont se réflechir sur le sol. Mixed painting on plexiglas.[...]
Peintures mixtes sur plexiglas. L'effet rendu de transparence fait penser au vitrail. Cette peinture est posée sur un socle en altuglass de la largeur de l'oeuvre comme une sculpture et peut être mise dans la maison. Si vous la mettez proche d'une source lumineuse, les couleurs vont se réflechir sur le sol.
Mixed painting on plexiglas. The transparency effect reminds us of stained-glass. This painting is settled on a altuglass piedestal and as such you can put it anywhere in the house. The best being in front of a natural or artificial light as it will reflect on the ground.

Related themes

PlexiglasBleuJauneTransparenceOeuvres Verticales

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Living at the time in the great city of San Francisco, USA, I started art a self taught artist on live model from 1980 to 1982. Then I registered at City College art department and studied with Rick Rodriguez[...]

Living at the time in the great city of San Francisco, USA, I started art a self taught artist on live model from 1980 to 1982. Then I registered at City College art department and studied with Rick Rodriguez from 1982 to 1984 and then again from 1991 to 1993. Rick was an abstract painter and amateur of Kathy Kollwitz’s work, an expressionist German painter and sculptor whom I admire. From 1986 to 1990 back in Paris, I studied classical art with Michel King, French seascape watercolorist and painter, a great teacher and lover of classical art. He was the first one to give me the first approach of solf pastel.
Even though I produced works in charcoal, sanguine, pastel, oil and did collage during all those years, the real need to become a professional artist happened in 1997. From that date, I begun to use soft pastel as its vibrant and sensual colors seemed to really fit my own personality. In 1999, I met the great English portraitist Ken Paine whose strength and loose style still fascinates me to this day. Ken gave me the inner self expression “lâcher-prise” that one can find in my portraits with pastel and of course in the abstract works I have developed with oil painting since 2005. During my staying in California, I also had the possibility to see many works from Pollock whose work impressed me and I particularly like the Canadian artist, Riopelle in his expressive and abstract work. I live and work in Paris (Please check my personal website for more information ).

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