Cornelia Rusu Labosan

Date and birth place: 4 octombrie 1954, Braila, Romania
Studies: academy of fine arts "Luceafarul" Bucuresti, Painting section

Group exhibitions:

2005- "On going Europe" - Stuttgardt - Germany
2003 - International Art Simposion- Bistrita Nasaud
2003 - Contest exhibition "Starry sky" Bucharest
2003 - Shop Art- World Trade Center - Bucharest
2002 - Graduation exhibition -National Theatre "Floor 3/4"-Bucharest
2000 - 1999 art biennale "Lascar Vorel" -Piatra Neamt
1999 - Experiment exhibition "Alfa" Gallery - Bacau
1999 - 2000 -art biennale "I.Andreescu" - Buzau
1998 - Ex-libris exhibition "G. Calinescu" - Bacau
1998 - "Exercitions" exhibition -"Galla" Gallery - Bucharest
1998 - Contest exhibition "Accents" - Gallery - Bucharest
1996 - Ex-libris Exhibition "Tristan Tzara " - Bacau

Other group Exhibitions:
2004 -"Sanziene" Marriott Hotel - Bucharest
2003 -"Program" Caminul Artei - Gallery - Bucharest
2001 -"Carute cu flori "exhibition Galla gallery-Bucharest
1999 - "Semn si culoare" exhibition - "Galla" Gallery -Bucharest

Personal Expositions:
2004 "Frunze"Valean Gallery - Bacau – Romania
2003 "Drumul florilor "Apollo Gallery Bucharest
2002 "Arta conspiratiei" Gallery – Bacau
1998 “Banca Turco-Romana” – Timisoara, Romania
1998 “Centrul cultural Francez” – Timisoara, Romania
1999 “Centrul cultural Italian-Consulatul Italian” – Timisoara, Romania
2000 “Forumul german- Casa Adam Muler Gutembrunn” – Timisoara, Romania
2001 “U.H.S.O. Budapest Gallery” – Budapesta, Ungaria
2002 “Forumul german- Casa Adam Muler Gutembrunn” – Timisoara, Romania
2008 “Forumul german- Casa Adam Muler Gutembrunn” – Timisoara, Romania

Privat collections in: Germania, Italia, Ungaria, Spania, Statele Unite ale Americii, etc

Research travel:
1982 statiunea Sinaia- Sinaia, Romania
1984 statiunea Baile Herculane, Herculane, Romania
2002 Frankfurt - Germania
2004 Koln – Germania

“For one of the most interesting artists, Cornelia Rusu Labosan, builds feelings rather than images. Flowers painted by her do not have a specific look, but are simply images of a deeper vision of humanity that protects the entire nature of its ground.
Carts, caravans with roses or petunias, or mere inventions or lonely and disturbing chromatic landscapes, a kind of self-sacrifice on its own painting in her enduring spirit.”

Univ. Professor Deliu Petroiu
Art critic