Magie d'un soir de printemps (2018) Photography by Myriam Gylon

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  • This work is an "Open Edition" Photography, Giclée Print / Digital Print
  • Dimensions Several sizes available
  • Several supports available (Fine art paper, Metal Print, Canvas Print)
  • Framing Framing available (Floating Frame + Under Glass, Frame + Under Acrylic Glass)
  • Categories Impressionism
Lumière du Printemps crépusculaire dans un bois About this artwork: Classification, Techniques & Styles Technic Photography [...]
Lumière du Printemps crépusculaire dans un bois

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As a child, self-taught, I was already practicing drawing, gluing fabrics, cardboard, boxes... As a teenager, my father didn't want the fine arts; it doesn' won't bring anything, he said, and so, I continued[...]

As a child, self-taught, I was already practicing drawing, gluing fabrics, cardboard, boxes... As a teenager, my father didn't want the fine arts; it doesn' won't bring anything, he said, and so, I continued all these activities at my grandmother's house who told me raised; she was adorable. At 15, I found a full-time job with a permanent contract in sewing; at this point At the time, working at a young age was still allowed, which corresponded well to my expectations since I already had a spirit of independence. At the At the age of 16, I took drawing-painting courses by correspondence at the University of Paris. "ABC SCHOOL OF PARIS" for 1 year; I' had an excellent teacher who followed my exercises and who really appreciated my work. And then fate, I met Jérémy the father of my eldest son and I gave up drawing to make way for our marriage followed by the birth of our son Matthieu. I always kept within me the idea of ​​one day resuming drawing, painting, and life continued with all its hazards.... I I had 2 other adorable children Claudine and Simon. Today since 2010 at the At the age of 50, I returned to painting, still self-taught; I ended up selling my first painting in 2017. My approach is the nature of forests, trees, light, always in this search for contrasts, this light which obsesses me to bring out from my paintings , whether through the undergrowth, on the forest paths, in my abstracts, my digital drawings, colors and light are my dominant points. Some other drawings, paintings, are the interpretation of humanity, expressions. Others are the sea, dusk, dawn which reflect so many contrasts of blue and orange. Sometimes long, endless hours on a canvas, and other times, the present moment of the desire for colors. Moving from figurative to abstract, I paint from my feelings, from what I want to express, from what I want to give.

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