NUOVI SCAVI (2018) Painting by Michael Lawrence

Acrylic on Wood, 36x48 in
$3,830.36
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‘Nuovi Scavi’ is painted on sturdy hardboard, a support that I like for my larger paintings because it is rigid and firm and can take abuse. By ‘abuse’ I mean that I often set about a surface before (and sometimes after) applying the paint to give the image a ‘weathered’ look. Sometimes – though not in this case – I savage the board with a blade or[...]
‘Nuovi Scavi’ is painted on sturdy hardboard, a support that I like for my larger paintings because it is rigid and firm and can take abuse. By ‘abuse’ I mean that I often set about a surface before (and sometimes after) applying the paint to give the image a ‘weathered’ look. Sometimes – though not in this case – I savage the board with a blade or sharp piece of rock or some other implement to make it less perfect. Having always loved the look and feel of ancient ruins, I try to put some of this into paintings of this size. ‘Nuovi Scavi’ was painted after one of my visits to the ruins of old Pompeii, hence the title.

Related themes

PompeiiPrimitive FigureMale NudeNew ExcavationsNuovi Scavi

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I attended the same art school as Freddie Mercury of Queen, Ronnie Wood of the Rolling Stones and Pete Townshend of The Who, but unlike them I didn’t get involved in music but went to work as a trainee graphic[...]

I attended the same art school as Freddie Mercury of Queen, Ronnie Wood of the Rolling Stones and Pete Townshend of The Who, but unlike them I didn’t get involved in music but went to work as a trainee graphic designer in a London studio, where, before long, I switched from design to taking photographs FOR designers - and for advertising agencies, industry, publishers, the pop music business, and national newspapers. Later on I set about properly acquainting myself with drawing, painting and printmaking, examples of which I have been selling to private collectors in various parts of the world ever since. I avoid settling on a specific style in my imagery, preferring never to know what I’ll come up with next until it happens. By adopting this approach I hope that my work never becomes predictable in style or content.

I have twice had my own gallery with attached studio, from which I sold my paintings, prints and so on. I have exhibited elsewhere a few times, but I’m no fan of exhibitions of my own work, preferring to sell privately or through online art sites like Artmajeur’s.

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