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Building on Ermou Street (2019) Painting by Mats Pehrson
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Original Artwork (One Of A Kind)
Painting,
Oil
on Canvas
- Dimensions Height 48in, Width 50in
- Framing This artwork is not framed
- Categories Paintings under $20,000 Figurative Architecture
Buildings and places have a story to tell.
Memories and a burden of a city’s soul.
Reading “Vanishing New York: How a Great City Lost Its Soul”, by Jeremiah Moss, became a starting point for a new series of oil paintings.
The book reports on the city’s development in the twenty-first century, a period of "hyper-gentrification" that has resulted in the shocking transformation of beloved neighborhoods and the loss of treasured unofficial landmarks.
As a reaction towards these changes of the urban landscape – both from my own observations in New York City and from traveling abroad - I peruse the cities to find old and sometimes even abandoned buildings and places, researching their history.
A history captured on to canvas, that otherwise might get lost and forever will be gone and forgotten.
The painting ”Keller Hotel”, shows a building from 1898 on 150 Barrow Street in Manhattan. It´s been abandoned since 1998 but due to being one of the last remaining waterfront hotels, and the stature of the architect, it became a New York City landmark in 2007. Part of its history, worth mentioning, is that from 1956 until 1998, the storefront of the hotel was called the Keller Bar, and it was said to be the oldest gay leather bar in the city.
“165 East Broadway”. The ground floor of this building is a Chinese restaurant, but between 1941 –1983 this place was the legendary Garden Cafeteria, a center of intellectual Jewish life on the Lower East Side – and a gathering place for poets and writers such as Isaac Singer and Elie Wiesel.
I spend time each year in Stockholm, Sweden. Here as well, a major transformation of the city’s landscape is taking place.
“Nitrolackfabriken”, depicts a paint factory from the 1940s. It’s been abandoned and vandalized since 2006 when the production of paint was moved to another city. The building is representing high cultural and historic value and has been categorized as such. Even so, the unique building is doomed to be demolished and the whole industrial area is being developed into another gentrified neighborhood.
My paintings will not last forever, but it’s an effort to honor our past, our history and maybe – a city’s lost soul.
The paintings are detail oriented without being photorealistic.
They are painterly with built up texture, visible brush strokes and emphasis on shadows and light.
Since I always have found beauty in old and even neglected buildings this project feels close to my heart.
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Mats Pehrson's journey in the art world is a tale of cultural exploration and creative evolution. Born in Karlstad, Sweden, in 1958, Pehrson's artistic pursuits led him across continents, weaving a narrative rich with diverse influences. In 1986, Pehrson first set foot in the bustling artistic landscape of New York City. This initial encounter sparked a connection that would persist on and off for years to come. However, it was in 1991 that he embarked on a transformative journey to Los Angeles, California, honing his craft and preparing for a full-time career as an artist upon his return to Manhattan in 1993.
The move to Willamsburg, Brooklyn, in 1994 marked a significant chapter in Pehrson's artistic exploration. Collaborating with Young Kwon, a Korean artist and professor, he delved into new techniques, expanding the horizons of his creativity. Noho Gallery on Mercer Street in Soho became a platform for Pehrson's artistic expression, hosting several shows that resonated with the downtown art scene.
A pivotal moment arrived in 1997 when Pehrson seized the opportunity to live in a loft in Barcelona, Spain. Surrounded by the vibrant local art community and inspired by Catalan art, particularly the works of Antoni Tàpies, he immersed himself in his craft. His return to New York saw the manifestation of Spanish influences in an exhibition at Noho Gallery.
The aftermath of 9/11 left an indelible mark on Pehrson's work. In response to the emotional resonance of the events, he created a series of 35 monoprints on watercolor paper capturing the essence of Lower Manhattan. This series culminated in a traveling show exhibited in Stockholm and New York City.
Personal ties drew Pehrson back to Sweden, where he continued to exhibit extensively. The artist's life became interwoven with personal milestones, including meeting his wife and spending time with his ailing parents. Despite the challenges, these years yielded a succession of successful shows, solidifying his presence in institutions and private collections across Sweden, Europe, and the United States.
Pehrson's exhibitions, ranging from the Katonah Museum in NY to the Volta Art Fair in NY, NY, showcase the breadth of his artistic impact. From the Vida Museum in Sweden to the Kulturhuset/Stadsteatern and Ahlbergshallen in Sweden, his work has left an imprint on diverse spaces.
Currently residing in Chinatown, Manhattan, Pehrson maintains his studio on Beaver Street. His art continues to evolve, a reflection of the dynamic interplay between his observations of life in New York City and the influences gathered from his global travels. As he navigates the intersection of cultures and experiences, Mats Pehrson's artistic journey remains a compelling narrative of growth, exploration, and a deep-seated connection to the world around him.
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Nationality:
SWEDEN
- Date of birth : 1958
- Artistic domains:
- Groups: Swedish Contemporary Artists
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