Madame de Birmanie fume le cigare. (2017) Painting by Maryse Curinier-Rochette

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  • Original Artwork (One Of A Kind) Painting, Oil on Canvas
  • Dimensions Height 23.6in, Width 23.6in
  • Framing This artwork is not framed
  • Categories Paintings under $1,000 Figurative
Peinture originale à l'huile sur toile sur châssis, dimensions 60 x 60 cm. Les côtés sont peints, inutile d'encadrer pour exposer. En 2016 et 2017, j'ai réalisé une série de portraits à l'huile, certains de mes proches ou de personnalités, acteur ou actrices... Celui-ci est réalisée à partir d'une photo prise[...]
Peinture originale à l'huile sur toile sur châssis, dimensions 60 x 60 cm.
Les côtés sont peints, inutile d'encadrer pour exposer.

En 2016 et 2017, j'ai réalisé une série de portraits à l'huile, certains de mes proches ou de personnalités, acteur ou actrices... Celui-ci est réalisée à partir d'une photo prise par ma voisine lors de ses voyages d'une femme pittoresque rencontrée en Birmanie, les lèvres serrées sur un volumineux cigare, et les yeux cachés derrière les verres effet miroir de ses lunettes noires.

In den Jahren 2016 und 2017 habe ich eine Reihe von Ölporträts gemacht, einige meiner Verwandten oder Persönlichkeiten, Schauspieler oder Schauspielerinnen ... Dies wurde von einem Foto gemacht, das meine Nachbarin während ihrer Zeit gemacht hat Reisen einer malerischen Frau trafen sich in Burma, ihre Lippen waren zu einer voluminösen Zigarre zusammengepresst, und ihre Augen versteckten sich hinter den Spiegeleffektgläsern ihrer dunklen Brille.

In 2016 and 2017, I made a series of oil portraits, some of my relatives or personalities, actor or actresses ... This is made from a photo taken by my neighbor during her travels of a picturesque woman met in Burma, her lips tightened on a voluminous cigar, and her eyes hidden behind the mirror effect glasses of her dark glasses.

Nel 2016 e nel 2017, ho realizzato una serie di ritratti ad olio, alcuni dei miei parenti o personalità, attori o attrici ... Questo è fatto da una foto scattata dal mio vicino di casa durante lei i viaggi di una donna pittoresca si sono incontrati in Birmania, le sue labbra serrate su un sigaro voluminoso e gli occhi nascosti dietro gli occhiali a specchio dei suoi occhiali scuri.

En 2016 y 2017, hice una serie de retratos al óleo, algunos de mis parientes o personalidades, actores o actrices ... Esto está hecho de una foto tomada por mi vecina durante su Los viajes de una pintoresca mujer se encontraron en Birmania, sus labios apretados en un voluminoso cigarro y sus ojos ocultos detrás de las gafas con efecto espejo de sus gafas oscuras.

Related themes

HuileOilPortraitWomanFemme

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Maryse CURINIER-ROCHETTE Born in 1954. The artist lives in Ardèche, France where she worked for a long time as a teacher. In 1977, following health problems, she[...]

Maryse CURINIER-ROCHETTE


Born in 1954.


The artist lives in Ardèche, France where she worked for a long time as a teacher.

In 1977, following health problems, she devotes herself fully to the education of her children and decides to prepare jointly a degree in psychology by correspondence, and a preparation for the degree in plastic arts.


Her work as a painter is the result of the disturbing opposition of the two emotions that lead her to create: on the one hand a contemplative sensitivity, and on the other hand a deep existential anguish linked to biographical and societal elements.


This dichotomy is expressed in her paintings by a multiplication of genres, themes and techniques.

Each work in its singularity is the answer to a moment T of his perpetual back and forth in search of a complicated balance between his doubts and fears and his tendency to wonder, his will to optimism.

A study of flowers testifies to the simple pleasure of observing the infinite aesthetic generosity of his environment, but the next painting drawn in a few energetic brushstrokes betrays his dismay, his helplessness and his distress in front of the suffering of his fellow human beings.

Often, his impression of dramatic loneliness is staged in a more allusive way by a detail such as a lone tree at the water's edge.

Sometimes, the choice of a humorous title proclaims a well-conceived joie de vivre.


The viewer is at first puzzled by this eclecticism. But the multiplication of anecdotes on the canvas offers him many opportunities to empathize, and he can then join the artist in his exploration of the complexity of the soul.

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