Arbre de Vie de Séraphine Louis (2019) Painting by Maryse Curinier-Rochette

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This is a copy of a work by Séraphine Louis, known as de Senlis. On a green, beige and blue background unfolds a round tree with roots. Its leaves, predominantly red and blue, gradually straighten up and cover almost the entire surface of the canvas. They are adorned with long colorful touches that seem to be inspired by feathers. Small white dots[...]
This is a copy of a work by Séraphine Louis, known as de Senlis. On a green, beige and blue background unfolds a round tree with roots. Its leaves, predominantly red and blue, gradually straighten up and cover almost the entire surface of the canvas. They are adorned with long colorful touches that seem to be inspired by feathers. Small white dots enhance and animate this composition. Séraphine does not apply herself to representing a particular variety of tree, she imagines an abundant and colorful flora. Séraphine fixes her "inner reality" on the canvas, marked by her attachment to nature. Many symbols have been sought in his painting, both spiritually and psychoanalytically. It was at the request of a relative touched by this work of Séraphine and by the story of this self-taught painter embodied in the cinema by Yolande Moreau that I in turn became interested in this work. I documented myself, I looked for everything that could allow me to better understand this Tree of Life. Among other things, I had the pleasure of discovering a thesis by Marika Lemay entitled "SERAPHINE LOUIS, PAINTER. ANALYSIS OF THE SERIES OF TREES (1927-1930)". Thanks to her and to AC who led me to take an interest in this work. My copy is made in a slightly smaller format than the original, I used mixed techniques, mostly oil. On frame painted on the sides, does not require framing. This is a copy of a work by Séraphine Louis, known as Senlis. On a green, beige and blue background unfolds a round tree with roots. Its leaves, with dominant red and blue, are gradually recovering and cover almost the entire surface of the canvas. They are decorated with long, colorful touches that seem to be inspired by feathers. Small white dots enhance and animate this composition. Seraphine does not apply to represent a variety of particular tree, she imagines a flora abounding and colorful. Seraphine fixes on the canvas her "inner reality", imbued with her attachment to nature. Many symbols have been sought after in his painting, as well on the spiritual plane as psychoanalytic. It was at the request of a loved one touched by this work of Seraphine and the story of this self-taught painter filmed by Yolande Moreau that I became interested in this work. I documented myself, I searched all that could allow me to better apprehend this Tree of Life. Among other things, I had the pleasure of discovering a thesis by Marika Lemay entitled "SERAPHINE LOUIS, PAINTER. ANALYSIS OF THE TREE SERIES (1927-1930) ". Thanks to her and to AC who led me to be interested in this work. My copy is made in a format slightly inferior to the original, I used mixed techniques. Canvas painted on the sides, no need to frame.

Related themes

ArbreTreeArbre De VieTree Of LifeCouleurs

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Maryse CURINIER-ROCHETTE Born in 1954. The artist lives in Ardèche, France where she worked for a long time as a teacher. In 1977, following health problems, she[...]

Maryse CURINIER-ROCHETTE


Born in 1954.


The artist lives in Ardèche, France where she worked for a long time as a teacher.

In 1977, following health problems, she devotes herself fully to the education of her children and decides to prepare jointly a degree in psychology by correspondence, and a preparation for the degree in plastic arts.


Her work as a painter is the result of the disturbing opposition of the two emotions that lead her to create: on the one hand a contemplative sensitivity, and on the other hand a deep existential anguish linked to biographical and societal elements.


This dichotomy is expressed in her paintings by a multiplication of genres, themes and techniques.

Each work in its singularity is the answer to a moment T of his perpetual back and forth in search of a complicated balance between his doubts and fears and his tendency to wonder, his will to optimism.

A study of flowers testifies to the simple pleasure of observing the infinite aesthetic generosity of his environment, but the next painting drawn in a few energetic brushstrokes betrays his dismay, his helplessness and his distress in front of the suffering of his fellow human beings.

Often, his impression of dramatic loneliness is staged in a more allusive way by a detail such as a lone tree at the water's edge.

Sometimes, the choice of a humorous title proclaims a well-conceived joie de vivre.


The viewer is at first puzzled by this eclecticism. But the multiplication of anecdotes on the canvas offers him many opportunities to empathize, and he can then join the artist in his exploration of the complexity of the soul.

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