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Attends, je fais une story (2018) Photography by Marine Foissey
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Limited Edition (#5/15)
Photography,
Digital Photography
on Paper
- Dimensions Height 15.8in, Width 11.8in
- Framing This artwork is not framed
- Categories Photographs under $1,000 Figurative
C’est l’homme de ta vie,
Vous allez si bien ensemble,
Regarde comme leurs enfants sont beaux.
Oh ma jolie poupée,
Ces images sont pour nous.
Pour rire de la désespérante réalité
Comme une berceuse acceptée.
Tu seras jalouse, seule, mère et tu feras le ménage,
Maline avec ton tanga dentelle, ton épilation parfaite, ongles propres, contouring maîtrisé.
Malheureuse avec ton Tinder,
Trahie par ce beau garçon que l’on t’a présenté,
Déprimée par ce type rencontré par hasard.
Sans like et sans follow,
Avec crème glacée et whisky.
Tu es seule ma poupée.
Une vengeance de femme,
Née objet,
Née de la violence de nos clichés,
Servile par instinct sacrificiel,
Ta surcharge mentale 0% allégée,
Mets toi au régime pour l’été.
À la recherche d’un pouvoir jamais vraiment acquis,
L’instinct d’égalité n’est pas encore, ma poupée.
Garde ton sexe où il est.
Nos hommes virils sont nos petits régicides de demain.
Mesdemoiselles, ceci n’est pas vous défendre,
Messieurs, ceci n’est pas vous accuser.
Ceci est un hymne aux couleurs de nos violences,
Un air aux notes de nous,
Our fucking perfect life.
Related themes
Marine Foissey is a renowned photographer . A committed artist, she uses photography and affirms the place of discourse in her shots, which are as many positions and oppositions. His reflection is under the sign of suffering and death. Between acid irony and lucid derision, she faces them without pathos
She invests the field of the gaze by a work of recomposition of reality in the studio. She remakes the world in her image. Virtually. The large series, Impressions, the Cranial Boxes, Memento Mori, the Marines, Deadline and White-Spirit depict everyday beings, objects and places that have become strangely absurd and compacted into associations that are neither random nor automatic. All the series have been exhibited at festivals, fairs, collective and individual exhibitions.
His inspirations range from the starkness of 17th century Spanish still lifes to the purity of the marble of a sculpture, to the silences of Hopper. To the Hitchcockian innuendos, to the lost time of a phrase by Proust, to the suspended time with Bill Viola, to the glass bottle of Coca-Cola.
She is looking for a certain poetry, both in her work and in her life. Loving the idea that an image needs words or external elements that push the viewer to feel intellectually and physically what he sees. To oppose the idea that an image is sufficient unto itself. This explains the need for the artist to give titles to each of his images and to accompany the series with a text. We need words or, where appropriate, poetic sensations.
Marine Foissey is a French artist, graduated from the Paris Icart Photo School of Photography in 2010. Her works have been exhibited nationally and internationally. His latest series Fucking Perfect Life has been nominated for several international competitions (Prix de la Photographie de Paris -PX3, Fine Art Photo Award in London and the International Photo Award in Tokyo).
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Nationality:
FRANCE
- Date of birth : 1987
- Artistic domains: Works by professional artists,
- Groups: Professional Artist Contemporary French Artists
Marine Foissey: My joys, my anxieties and my doubts
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