Mahtab

For my fabrics:

1) I draw the prospect for place for evenement.
2) I work on several drawings preparatory of the characters and their positions and especially their emotions on their faces.
3) I draw the whole on the fabric:
- Enlarging of the prospect using an enough large regle to measure with the centimetre ready.
- Enlarging of the characters while respecting the break point and of the horizon.
4) To paint with oil, varnish, expose.

For my drawing:

I am first of all a portraitist. A paper and a model, are all that I do is to put at the place my models for
to live what they live at this moment.

I work sometimes also with ink on paper.

C.A.L.M PAINTING CRETEIL 18 the Mars exposure to 26 the Mars 2005.

Exposure of October 8 to October 14, 2005.

17 Mars Exposure to 25 th Mars 2006.

23 the Mars exposure to 30 the Mars 2007.

1st PRICE OF PAINTING at the time of the exposure which took place of October 08, 2005 to October 14, 2005.

Le salon d'automne de L'OMT à Créteil.
Année 2007.
Exposition collective.

Exposition individuelle au PILA à Saint-Maur-des-Fossés.
De 17 novembre au 1er décembre 2007.
Peinture, Dessins et Croquis.

Exposition individuelle au PILA à Saint-Maur des fossés.
De 17 novembre au 1er décembre.
Un article au Saint-Maur magazine.
Novembre 2007.

I was born in 1966 in Teheran (Iran). I arrived to France in October 1989, and a year later I began the Art-Plastic studies at the University PARIS VIII.
I remember that towards the age of 5 or 6 years, I started to make my first portraits, and I discovered my passion for the art of painting and the drawing.
In my country of childhood, two masters, to which I am grateful taught me bases that they are useful to me today through my works. One of both important barrel on the level of the prospects and the respect of the proportions: my brother, architect of his state.
In November 2004 I have make knowledge of associastion C.A.L.M painting with "Créteil" which organizes exposures each spring to Mars, and since I have the possibility of exposing with the group.
I admire with deepest of me the masters of the rebirth, as well as the large miniaturists Iranian.
The allegory and the history help me to transmit the messages to which I hold much.