Presenze (1996) Painting by Luigi Rossanigo

Acrylic on Canvas, 11.8x11.8 in
$764.62
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This artwork appears in 6 collections
  • Original Artwork Painting, Acrylic on Canvas
  • Dimensions Height 11.8in, Width 11.8in
  • Categories Paintings under $1,000 Abstract
Opera unica su tela estroflessa acrilico giallo sole Opera corredata di foto autentica e numero d'archivio About this artwork: Classification, Techniques & Styles Acrylic [...]
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Opera corredata di foto autentica e numero d'archivio

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EstroflessioneRossanigoNo Castellano

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Artist represented by Chiccart-collection
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Luigi Rossanigo was born in 1948 in Pieve del Cairo in lower Lomellina where Lombardy and Piedmont interpenetrate in terms of topography, history and culture. He still lives and works here. The first[...]

Luigi Rossanigo was born in 1948 in Pieve del Cairo in lower Lomellina where Lombardy and Piedmont interpenetrate in terms of topography, history and culture. He still lives and works here.
The first approaches to painting and to a lesser extent sculpture date back to the mid-1960s and the subjects are figurative. A few years and from the early '70s, he moved towards the informal, starting that spatial research whose results would be seen twenty years later. For the rest of the 70s after a brief "poverist" experience and for the entire decade of the 80s his attention was towards the development of surrealist themes both in painting, graphics and sculpture, with flattering results for originality and clarity of signs.
Starting from 1989, his association with artists from Carrara (Luciano Massari in particular) definitely oriented him towards sculpture. From there the acquired familiarity with the sculptural masses means that he returns to the ancient discussions of manipulation of the canvas which have produced the current expressive trend in which the languages ​​of painting and sculpture interpenetrate.
Roberto Vaggi ----  Carrara 1993

Luigi Rossanigo was born in 1948 in Pieve del Cairo in the lower Lomellina, where Lombardy and Piedmont interpenetrate by orography, history and culture. He lives there and works there.
The first approaches to painting and to a lesser extent to sculpture are from the mid-1960s and the subjects are figurative. A few years and from the early '70s, it is oriented towards the informal, starting that space research whose results will be twenty years later. For the rest of the '70s after a short "poverty" experience and throughout the decade of '80 his attention was focused on the development of Surrealist themes both in painting and in graphics, both in sculpture, with gratifying results for originality and clarity of signs.
Starting in 1989, the presence of Carrarese artists (Luciano Massari in particular) decided him decisively towards sculpture. From there the acquired familiarity with the sculptural masses causes the ancient discourses of manipulation of the canvas that have produced the current expressive strand in which the languages ​​​​of painting and sculpture interpenetrate.
Roberto Vaggi ---- Carrara 1993

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