Corrida burlesca 1 (2019) Painting by Line Bautista

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CORRIDA BURLESCA 1 Cette œuvre est une vision grotesque du spectacle qu'est la tauromachie. Un clown qui énerve, qui joue et danse devant un animal, ça pourrait être un numéro de cirque ou la récompense ultime est "la mort". André Malraux ne disait-il pas à propos de ce funeste spectacle : «[...]
CORRIDA BURLESCA 1


Cette œuvre est une vision grotesque du spectacle qu'est la tauromachie.
Un clown qui énerve, qui joue et danse devant un animal, ça pourrait être un numéro de cirque ou la récompense ultime est "la mort".

André Malraux ne disait-il pas à propos de ce funeste spectacle :
« Le mélange d’un spectacle de cirque et d’une communion de sang ! »

Acrylique/ Technique mixte sur toile
couleur dominante : jaune
dimension originale : 70x50 cm


CORRIDA BURLESCA 1

This work is a grotesque vision of the spectacle that is bullfighting.
An energetic clown who plays and dances in front of an animal might be a circus act or the ultimate reward is "death".

Did not Andre Malraux say about this fatal spectacle:
"The mix of a circus show and a communion of blood! "

Acrylic / Mixed media on canvas
dominant color: yellow
original size: 70x50 cm


CORRIDA BURLESCA 1

Esta obra es una visión grotesca del espectáculo que es el toreo.
Un payaso enérgico que juega y baila frente a un animal puede ser un acto de circo o la recompensa final es la "muerte".

¿No dijo Andre Malraux sobre este espectáculo fatal?
"La mezcla de un espectáculo de circo y una comunión de sangre! "

Acrílico / Técnica mixta sobre lienzo
color dominante: amarillo
tamaño original: 70x50 cm

Related themes

Corrida BurlescaCorrida BurlesqueAnti CorridaLine Bautista PeintreLine Bautista Corrida

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Line BAUTISTA is a self-educated painter; It directs its first work towards abstract or semi-abstract painting. The feature is sharp to see incisive. Sometimes hot or cold colors, these fabrics are then an[...]

Line BAUTISTA is a self-educated painter; It directs its first work towards abstract or semi-abstract painting. The feature is sharp to see incisive. Sometimes hot or cold colors, these fabrics are then an unrestrained search towards the depth and the transparency. A little later but in parallel, this work concentrates on subjects of the everyday life and its clean questioning on the existence. Sometimes interrogative or committed, sometimes humorous and ridiculous, it is a violent tenderness which seizes certain fabrics to become a coloured criticism of a world painting in grisaille. The forms cubic, geometrical, free or are calculated; She likes to use the technique of the cloisonnism and to treat the topics which touch it in the form of posters (affichism) with or without text.
Its fabrics can take on a committed or poetic dimension then. It is defined before just like a free artist.

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