Plaza de toro - line bautista (2018) Painting by Line Bautista

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One of a kind
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Certificate of Authenticity included
This artwork appears in 8 collections
"PLAZA DE TORO" Cette toile est une scène de tauromachie traitée à la manière les anciennes affiches du 20 ème siècle. A la différence que c'est l'homme qui se retrouve à la place du taureau. "L’homme a peu de chances de cesser d’être un tortionnaire pour l’homme, tant qu’il continuera à apprendre[...]
"PLAZA DE TORO"

Cette toile est une scène de tauromachie traitée à la manière les anciennes affiches du 20 ème siècle.
A la différence que c'est l'homme qui se retrouve à la place du taureau.

"L’homme a peu de chances de cesser d’être un tortionnaire pour l’homme, tant qu’il continuera à apprendre sur la bête son métier de bourreau".
Marguerite Yourcenar

Technique mixte sur toile
Format : 50x70cm

"PLAZA OF TORO"

This painting is a scene of bullfighting treated in the manner of the old posters of the 20th century.
With the difference that it is the man who finds himself in the place of the bull.

"The man is unlikely to stop being a torturer for the man, as long as he continues to learn on the beast his job of executioner".
Marguerite Yourcenar

Mixed media on canvas
Size: 50x70cm

"PLAZA DE TORO"

Esta pintura es una escena de corridas de toros tratada a la manera de los antiguos carteles del siglo XX.
Con la diferencia de que es el hombre el que se encuentra en el lugar del toro.

"Es poco probable que el hombre deje de ser un torturador para el hombre, mientras siga aprendiendo sobre la bestia su trabajo de verdugo".
Marguerite Yourcenar

Técnica mixta sobre lienzo.
dimensión: 50x70cm

Related themes

Tauromachie Line BautistaCorrida LinebautistaPeinture Anti CorridaPlaza De Toro Line Bautista

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Line BAUTISTA is a self-educated painter; It directs its first work towards abstract or semi-abstract painting. The feature is sharp to see incisive. Sometimes hot or cold colors, these fabrics are then an[...]

Line BAUTISTA is a self-educated painter; It directs its first work towards abstract or semi-abstract painting. The feature is sharp to see incisive. Sometimes hot or cold colors, these fabrics are then an unrestrained search towards the depth and the transparency. A little later but in parallel, this work concentrates on subjects of the everyday life and its clean questioning on the existence. Sometimes interrogative or committed, sometimes humorous and ridiculous, it is a violent tenderness which seizes certain fabrics to become a coloured criticism of a world painting in grisaille. The forms cubic, geometrical, free or are calculated; She likes to use the technique of the cloisonnism and to treat the topics which touch it in the form of posters (affichism) with or without text.
Its fabrics can take on a committed or poetic dimension then. It is defined before just like a free artist.

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