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Linda Schneider

In a Circle (2020)

Artwork Type
Dimensions
14.6x10.4 in
Support or surface
Paper
Framing
No
A complex layered drawing from wet graphite, ArtGraph pigments watercolour, inks, pencil, ink, gesso and copper-leaf on Arches watercolour paper. Please see my video on my website lindaschneiderartist for a glimpse of the process used to construct this drawing. This drawing is semi-autobiographical, and an exaggeration. The figure emerges...
A complex layered drawing from wet graphite, ArtGraph pigments watercolour, inks, pencil, ink, gesso and copper-leaf on Arches watercolour paper.
Please see my video on my website lindaschneiderartist for a glimpse of the process used to construct this drawing.
This drawing is semi-autobiographical, and an exaggeration. The figure emerges through a mirror, or maybe a window, from greyness and mists of dust and smoke from the punk industrial era, but with a rural naivety in the background and evident on the checkered shirt.

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Linda Schneider
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I grew up on a mixed farm, until I went to high school aged 11 in the Wimmera district in Victoria Australia. At high school, unable to timetable both Art and Math, I studied the latter by correspondence in...

I grew up on a mixed farm, until I went to high school aged 11 in the Wimmera district in Victoria Australia. At high school, unable to timetable both Art and Math, I studied the latter by correspondence in the school library. I was not very disciplined and spent most of my time looking through Art books. Later, I completed a Diploma in Fine Art (Painting), and a Graduate Diploma (Sculpture). Wanting to travel, I gained further qualifications in teaching, linguistics, and languages.

My work is largely auto-biographical and incorporates elements of my history and my future goals – even before I am consciously aware of these goals or historical references myself. I am currently drawing with a variety of mark-making media, and painting in both acrylic and oils.

I believe that practice, and physiological and mental predispositions, combined with life and incidental circumstances, confirm the direction and so-called talent of any individual. As humans who have evolved and endured, we sought patterns in nature which helped our species to survive. Now we revive those patterns in our culture. We see relationships everywhere; in nature, mathematics, science, storytelling, music and in the visual arts etc. We often are unconsciously aware of these patterns.

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